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THE CIRCUS LUNICUS

Solomon (Solly for short) has lots of problems: a mean stepmother, two inconsiderate and lazy stepbrothers, an absent father, and an unresolved longing for mothering. Sound familiar? He also has a fairy godmother, but not the usual sort with wishes and wings and a wand. Freeble is a six-foot-tall talking lizard who conquers the highest levels of computer games and teaches Solly to transform himself into a lizard, too. Singer has created a fantastic, funny, but believable world in which intelligent alligators from planet Reptilia transform themselves into human shape when they perform on earth in the Circus Lunicus. Singer’s poetic talents are apparent in her language play with the talking lizard, who has an unusual but perfectly understandable manner of speaking. She skillfully weaves all the elements of the Cinderella mythic structure into her tale, along with the concept of a mother from another species who must return to her own kind. The story is told in short sentences and brief chapters with the appeal of a three-ring circus: laughter, suspense, and a little danger to keep the crowd wanting more. Solly wisely solves his own problems in his own way, finding hidden strengths within himself and help from unexpected sources, just like Cinderella. Luminous and humorous. (Fiction. 9-11)

Pub Date: Oct. 1, 2000

ISBN: 0-8050-6268-8

Page Count: 168

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2000

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EARTHLINGS INSIDE AND OUT

Wyatt (The Science Book for Girls, 1997, etc.) adopts an alien’s-eye-view of earthlings, comparing the human body with that of a friendly lifeform from outer space. A cartoon anatomical outline charts the alien Danoid’s first encounter with Pete. Danoid labels hands as primary manipulatives, feet as planet connectors, and knees, multidirectional movement facilitators. Earthling skin, hair, brains, bones, muscles, and organs are measured by these compare-and-contrast standards, delivering information along the way. Sifting through a flurry of text, readers will stumble upon headings marked “Science Fair Ideas,” consisting of simple, at-home experiments such as tracking one’s pulse with a dab of modeling clay or smelling foods that have strong odors. While the concept is attention-getting, and often humorous, the actual information is often overwhelmed by distracting asides, experiments, and reports filed to Danoid’s commander; this compendium may be more worthwhile for browsers than researchers. (diagrams, index) (Nonfiction. 8-11)

Pub Date: April 1, 1999

ISBN: 1-55074-511-5

Page Count: 64

Publisher: Kids Can

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1999

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GUESS WHOSE SHADOW?

Swinburne sets out to teach young children about how shadows are created, describing night as a shadow on the earth, and giving children tangible reasons for why shadows vary in size, shape, and location. The latter half of the book invites readers to guess the origins of the shadows in vivid full-color photographs; subsequent pages provide the answers to the mysteries. A foreword contains information regarding the scientific reasons for shadows, which can be explained to small children, but it is the array of photographs that truly invites youngsters to take a closer look and analyze the world around them with an eye for the details. (Picture book/nonfiction. 3-5).

Pub Date: Feb. 1, 1999

ISBN: 1-56397-724-9

Page Count: 32

Publisher: Boyds Mills

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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