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ROCKET DREAMS

HOW THE SPACE AGE SHAPED OUR VISION OF A WORLD BEYOND

Many befittingly spacey ideas here, but a few prizes as well.

Whatever happened to those dreams, wonders freelance journalist Benjamin, those “utopian, escapist, and conquistadorial hopes” once fueled by the American space program?

When the exigencies of politics and the limits of engineering combined to send NASA begging, its legacy, the alternative history of the Space Age, was the launching ground for the deep space of strange ideas. Benjamin (Living at the End of the World, not reviewed) selects a handful of these spinoffs to see how the future unfolded for them. Though she freely admits to wishing she could have told the story of vacations on Ganymede and Callisto, having been a space nut as a child, she has to content herself with forays into New Physics and cyberspace and Noetics (astronaut Edgar Mitchell’s sweeping, holistic, teleologic cosmological story of the interconnected universe), into the organic flux of James Webb’s adaptive society and the utopian visions of space colonization. None of them light the fire under her as the first space flights did, none of them sign any meaningful covenants with the celestial realm that she can get behind, nor can Roswell, upon which she casts a long and skeptical eye, nor all the latter-day Jacob’s Ladders: angelic intermediaries, ecstatic transports, and astral planes. On the other hand, she believes, the lasting impact of seeing Earth from afar helped to focus our energies on environmentalism and the notion of Gaia. The most exciting post-Apollo development for Benjamin is the Search for Extraterrestrial Intelligence program, scanning the sky for beacons, pulses, leakages, or any other telltale signs of artifice; she sees SETI as both the keeper of the flame and the embodiment of popular participation in the quest for knowing something more about space.

Many befittingly spacey ideas here, but a few prizes as well.

Pub Date: April 3, 2003

ISBN: 0-7432-3343-3

Page Count: 256

Publisher: Free Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2003

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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