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DAUGHTER FROM THE DARK

The authors bring a refreshing perspective that avoids the genre's clichés, but this is not the best example of their work.

A playboy learns a life lesson from a supernatural waif in the latest fantasy from a prolific, Ukrainian-born husband-and-wife writing team.

When Alexey Igorevitch Grimalsky—DJ Aspirin to fans of his radio show and disco nights—finds a 10-year-old being menaced by bullies in a dark alley, he thinks he can rescue her, turn her over to her parents or the authorities, and go on his way. But the Dyachenkos (Vita Nostra, 2018, etc.) have other plans for their protagonist. Willful Alyona insists on staying with Aspirin, offering two different stories to account for herself. Is she Aspirin’s daughter, the product of a long-forgotten love affair? Or is she an immortal being from another plane who has come to Earth looking for her missing brother? Neither sounds especially plausible to Aspirin, but there’s evidence to back up both. A mysterious visitor produces a birth certificate listing Aspirin as Alyona’s father; and Alyona’s teddy bear comes to life when the little girl is menaced, tearing her attackers to pieces. Alyona’s brother, she explains, is an artist, but true art is impossible in their perfect home, so he has come to imperfect Earth, taken on human form, and forgotten his true self. To rescue him she must learn to play a magical tune on enchanted violin strings; when her brother hears it, he will remember himself. This reverse-Orpheus setup is intriguing, but the Dyachenkos offer only glimpses of the mythology behind it, preferring to focus on the much less interesting Aspirin. As taking care of his supernatural “daughter” increasingly interferes with Aspirin’s hard-drinking, womanizing routines, the relationship slowly (and not very convincingly) transforms him into a responsible man who’s ready for love and parenthood.

The authors bring a refreshing perspective that avoids the genre's clichés, but this is not the best example of their work.

Pub Date: Feb. 11, 2020

ISBN: 978-0-06-291621-1

Page Count: 304

Publisher: Harper Voyager

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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A BLIGHT OF BLACKWINGS

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.

In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Pub Date: Feb. 4, 2020

ISBN: 978-0-345-54857-3

Page Count: 592

Publisher: Del Rey/Ballantine

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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