A well-deserved tribute to a talented young writer.
A collection of essays and short stories by a Yale graduate whose untimely death at age 22 cut short a promising journalistic and literary career.
Keegan graduated from Yale as a literary golden girl with a position awaiting her at the New Yorker. But before she could even begin her job, she was killed in a car crash. This book brings together a sampling of some of Keegan’s fiction and nonfiction in homage to what could have been had this remarkable young woman lived to fulfill her potential. The first section brings together short stories that showcase Keegan’s ability to probe the murky, often unspoken emotional depths that haunt all relationships with fearlessness, lucidity and sensitivity. Not all of her fictional pieces, which focus primarily on exploring male/female and family dynamics, are equally strong. But they are always thoughtful, intelligent, and surprising and reveal a writer eager to find her literary voice by taking risks with both form and content. At their best, they are ferociously insightful. The second section includes essays, most of which appeared in the Yale Daily News or the Yale Herald. With wit, style and verve, Keegan explores everything from her lifelong struggle with celiac disease to a day in the life of a professional exterminator. Her most affecting pieces, however, are about the members of her own generation, many of whom feel strong, sometimes-overwhelming social pressure to seek validation in well-paying but unfulfilling jobs. “We can’t, we MUST not lose this sense of possibility,” she writes, “because in the end, it’s all we have.” As humane as it is sympathetic, Keegan’s work is a poignantly inspiring reminder of what is possible in the pursuit of dreams.
A well-deserved tribute to a talented young writer.Pub Date: April 8, 2014
ISBN: 978-1-4767-5361-4
Page Count: 224
Publisher: Scribner
Review Posted Online: Feb. 2, 2014
Kirkus Reviews Issue: Feb. 15, 2014
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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