by Marina Kemp ‧ RELEASE DATE: March 24, 2020
Kemp writes with a careful restraint that makes the emotional explosions all the more powerful when they come.
Centering her first novel around a rural French village and the young Parisian who has come there as a traveling nurse, British author Kemp writes about the cost of suppressed passions—love, guilt, revenge—and the risk of secrecy.
Twenty-four-year-old Marguerite Demers is caring for the elderly, gravely ill Jérôme Lanvier at his worn-down estate outside the village of Saint-Sulpice. Marguerite has taken the job to avoid Paris, her well-to-do parents, and guilty memories concerning her sister, Cassandre, four years younger than her, who came down with meningitis when Marguerite was 15. Marguerite’s nursing career is a form of repentance for not having saved her sister. Secretive, obsessively self-blaming Marguerite relishes isolation, but she is sucked into incendiary undercurrents roiling within the village and inside Jérôme’s family. Crises arise from crossed purposes, not simple misunderstandings; Kemp doesn't let her characters off the hook that easily: They make choices, often unwise, that affect not only themselves, but others. Their opposing needs, desires, and angers tighten like a noose around the characters’ lives. Marguerite allows herself to become a pawn in the hostilities between her difficult patient and his adult sons. Jérôme is no stock literary curmudgeon with a soft heart. Always a bullying tyrant to his three resentful, still needy sons, Jérôme knows they hate him and hates them back. Meanwhile, Suki Lacourse, a local villager’s Iranian wife, tries to befriend Marguerite as a fellow outsider. Suki harbors deep bitterness toward the local women who never accepted her, in particular Brigitte Brochon, whose husband, Henri, rejected Suki’s sexual advances years before. Desperately in love with Henri, aware she is not his equal in looks or brains, Brigitte feels threatened by attractive, smart women like Suki and now Marguerite. But Henri, the one man in town who has won Jerome’s respect, cannot escape his own secret and accompanying shame. When he and Marguerite come together, the repercussions are disastrous.
Kemp writes with a careful restraint that makes the emotional explosions all the more powerful when they come.Pub Date: March 24, 2020
ISBN: 978-1-984877-83-3
Page Count: 320
Publisher: Viking
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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More About This Book
BOOK TO SCREEN
SEEN & HEARD
by Genki Kawamura ; translated by Eric Selland ‧ RELEASE DATE: March 12, 2019
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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