A blood-soaked tale of sex, love, and ennui that would make Anne Rice proud.
A vampire who has seen the rise and fall of civilizations and a young woman struggling to cope with her mother’s terminal illness become unlikely companions in the city of Buenos Aires.
In Yuszczuk’s novel—her first to be published in the U.S.—the streets of Buenos Aires run red with blood. Told in two parts that span the course of several centuries, the story begins with a nameless vampire recounting the exceedingly violent events of her long and lonely life. After witnessing the brutal deaths of her Maker and her sisters at the hands of enraged villagers—in a scene that is delightfully reminiscent of old black-and-white monster movies—she flees Europe for the distant coast of Argentina. Soon to be ravaged by the arrival of yellow fever, Buenos Aires provides her with an endless supply of fresh blood and the anonymity and discretion that she so greatly desires. As time passes, though, the city proves itself to be equally unsafe for a creature of the night. In the wake of betrayal and tragedy brought on by her nature, and after meeting a young cemetery groundskeeper who is entranced by both her beauty and her monstrosity, she locks herself inside a coffin in an abandoned tomb to live out a solitary and thirsty eternity. The story picks up years later in a modern Buenos Aires with a young woman who is struggling to help care for her ailing mother as well as with her own motherhood. As she traverses the city, telling readers about her life with an alarmingly robotic sense of remove, she comes into possession of a mysterious key that has been passed down through her family and which eventually leads her to the vampire’s tomb. Sex and violence take center stage in this gothic tale as the horrors that Buenos Aires and Yuszczuk’s characters face continue to slowly unfurl. The novel takes its time, building gradually to the electric moment when the two women finally meet, but it struggles with pacing and tends to tell readers about its world rather than show them. What truly shines are the author’s knowledge of vampire lore and her dedication to creating a monster who could easily join the ranks of Dracula and Nosferatu.
A blood-soaked tale of sex, love, and ennui that would make Anne Rice proud.Pub Date: March 5, 2024
ISBN: 9780593472064
Page Count: 256
Publisher: Dutton
Review Posted Online: Jan. 20, 2024
Kirkus Reviews Issue: Feb. 15, 2024
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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