HARRIET'S REFLECTIONS

When an old lion dies, his bored reflection lives on…and finds a perfect match in a discontented girl.

The lion’s reflection winds up outside Harriet’s house. Soon he decides he wants to be her reflection. As Harriet unhappily walks to school, nose in a book, the gigantic animal leaps into a puddle in which Harriet’s wavering image raises her hands in shock. When the child gazes down to see the lion reflected there, she comments, “How fierce I look this morning.” At first, she has “a terribly good time” on the playground. A newly confident Harriet thrives in the classroom, too, until later in the week, when her beastly behavior lands her in trouble. Kadi’s paintings channel the vivid colors of Paul Gauguin’s Tahitian art and Maira Kalman’s whimsical faces. Dynamic energy flows in the curving lines of characters and landscapes. Ultimately, Harriet misses her former self. While hiding under the bed, she finds a small mirror and a face she remembers. Confronting the lion, she comes up with a solution that satisfies everyone. Translated from French, Kadi’s dynamic narrative deftly exploits the universal fascination with the mystery of mirrors. Brief, matter-of-fact sentences and situations lead to wildly humorous visuals. The girl’s skin is as orange as the lion’s; she is distinguished by wavy, black hair. Her class is diverse.

A highly original tale of trying on—and ultimately integrating—multiple identities.