Solid entertainment.
In an effort to save the school’s arts program, Natalie must partner up with her longtime rival, Reid.
Natalie Jacobson has always treated the theater, specifically writing and directing, as a casual pursuit, just for the fun of it. She’s afraid to get too invested after seeing the financial and emotional struggles of her parents: her school band director father and burned-out, formerly successful author mother. Natalie’s fear that the arts are not a sustainable career path is further confirmed after learning about budget cuts that eliminate her high school’s drama club—and ruin her chance to direct the play she co-wrote with a friend. She combines forces with kids from other cancelled arts groups to create a one-night show to convince the school board they made a mistake. Amid the planning, Natalie distracts herself with an ongoing prank war with Reid Callahan, her dad’s clarinet protégé. But when a prank goes wrong, they’re forced to work together on transforming her play into a musical, a process that eventually exposes their feelings for each other. First-person narration alternates between the present-day and the past, revealing the origins of Natalie’s rivalry with Reid. Her occasionally rash actions can make it difficult to sympathize with her, but overall, the sweet romance (and talented theater kids!) will charm readers. Natalie and Reid are White and Jewish, and the novel deftly addresses microaggressions and antisemitism; supporting characters have a range of racial and sexual identities.
Solid entertainment. (Romance. 12-18)Pub Date: Sept. 21, 2021
ISBN: 978-1-5344-4580-2
Page Count: 400
Publisher: Simon & Schuster
Review Posted Online: Aug. 15, 2021
Kirkus Reviews Issue: Sept. 1, 2021
BOOK REVIEW
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
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