Heavy on the self-reproach, this questing first novel is all but defeated by its insistence on the difficult duties of...
Themes of desertion and migration visibly shape a story of family responsibility.
Guilt or abandonment or both afflict almost every member of the large cast in Silver’s first novel as they explore melancholy feelings about their parents or offspring. Will Burton, more sensitive than his twin brother Ethan—although both suffer with the same eye disease—fears he is to blame when his father, Frank, suddenly walks away from his family without saying goodbye. Will’s mother, Caroline, is forced to sell up and move, with the children, back to her parents, Vincent and Eleanor, in California. Eleanor, beset with dementia, seems rarely burdened with deep feeling anymore, but Vincent, who abandoned her for a while, years ago, fears that the wound he inflicted precipitated the disease. Eleanor’s nurse, Amador, has abandoned his own family in Mexico, in an effort to shoulder his financial responsibilities. He, too, carries a burden of sorrow, since his first son died aged one, after a family outing when Amador impulsively dipped him in a chilly river. Subsequently he dares not love his other children as freely, especially his second son, Rogelio, who has always sensed but misunderstood his father’s prickliness. And there’s another forsaken child, 16-year-old Marlene in Ohio, Frank’s love child who, after a sudden, fleeting encounter with him, decides to trek to California, thinking to find him there. Rogelio has also run away from home, eventually appearing in Amador’s trailer, thin and desperate. Amador, who had started an affair with Caroline, realizes he must reunite his family and curtail his emotional absence. Marlene’s arrival surprises no one and engenders kinship with her half-brothers. She understands her father will always elude her, but has found something else. Caroline chooses to share the burden of her mother with her father. Silver (stories: Babe in Paradise, 2001) writes deftly but her overdeterminism squeezes the life out of her characters.
Heavy on the self-reproach, this questing first novel is all but defeated by its insistence on the difficult duties of parent and child.Pub Date: June 1, 2005
ISBN: 0-393-05823-9
Page Count: 288
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2005
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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