Vera’s breakout novel is a sweeping, emotional tale that puts her characters, and her readers, through an emotional wringer.
A sprawling family epic that stretches from the mountains of Puerto Rico to Hawaii and across decades of love, famine, and war.
Valentina Sánchez comes from a middle-class, urban family in late-19th-century Puerto Rico. Her family has modest dreams, but Valentina luxuriates in her fantasies of marrying a handsome man and seeing Paris. When the dashing Vicente Vega, son of a very wealthy (or so Valentina assumes) coffee farmer, sweeps her off her feet at a cousin’s wedding, Valentina is determined to go against her family’s wishes and marry for love. However, Valentina’s marriage to Vicente never takes flight. Between fending off the advances of her lecherous father-in-law and dealing with the starkly unromantic realities of being married to a coffee farmer who’s actually quite poor, happiness eludes Valentina. As the novel creeps into the 20th century, Valentina’s suffering increases alongside Puerto Rico’s. Caught in the crossfire of the Spanish-American War, Puerto Rican farmers experience Spanish tax hikes, drought, American devaluation of the peso, and finally American occupation. Hurricane San Ciriaco kills thousands and washes away not just farms, but Puerto Rico’s dreams of self-rule. Eventually, Vicente and Valentina are lured by false promises to Hawaii, another U.S. territory described as paradise but rife with violence and exploitation. Vera tells a grand story using innovative techniques. The chapters tend to be short and are frequently interspersed with letters, detours into the past, and theatrical monologues. The Vega and Sánchez families are made up of vivid, fully realized characters, and Vera has a knack for writing dialogue that is full of personality. Her descriptions of Puerto Rico’s natural beauty are impressive: “[Vicente and Valentina] meant only to look up at the stars from the veranda, but the scent of orchids lured them into the garden and soon they were enveloped by coconut palms. Las damas de noches opened their white petals for the moon, and the moon mistook the silver embroidery on Valentina’s dress for stars.” Where the novel runs ashore is in grappling with historical events. Vega chronicles the exploitation of Puerto Rico by the Spanish and then the Americans, and the reader will emerge with a deep sense of Puerto Rican history and suffering that has been lost to most Americans, but at times the author's devotion to historical details and anecdotes pushes the beautifully wrought characters aside.
Vera’s breakout novel is a sweeping, emotional tale that puts her characters, and her readers, through an emotional wringer.Pub Date: June 16, 2020
ISBN: 978-1-63149-773-5
Page Count: 384
Publisher: Liveright/Norton
Review Posted Online: March 29, 2020
Kirkus Reviews Issue: April 15, 2020
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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