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THE TASTE OF SUGAR

Vera’s breakout novel is a sweeping, emotional tale that puts her characters, and her readers, through an emotional wringer.

A sprawling family epic that stretches from the mountains of Puerto Rico to Hawaii and across decades of love, famine, and war.

Valentina Sánchez comes from a middle-class, urban family in late-19th-century Puerto Rico. Her family has modest dreams, but Valentina luxuriates in her fantasies of marrying a handsome man and seeing Paris. When the dashing Vicente Vega, son of a very wealthy (or so Valentina assumes) coffee farmer, sweeps her off her feet at a cousin’s wedding, Valentina is determined to go against her family’s wishes and marry for love. However, Valentina’s marriage to Vicente never takes flight. Between fending off the advances of her lecherous father-in-law and dealing with the starkly unromantic realities of being married to a coffee farmer who’s actually quite poor, happiness eludes Valentina. As the novel creeps into the 20th century, Valentina’s suffering increases alongside Puerto Rico’s. Caught in the crossfire of the Spanish-American War, Puerto Rican farmers experience Spanish tax hikes, drought, American devaluation of the peso, and finally American occupation. Hurricane San Ciriaco kills thousands and washes away not just farms, but Puerto Rico’s dreams of self-rule. Eventually, Vicente and Valentina are lured by false promises to Hawaii, another U.S. territory described as paradise but rife with violence and exploitation. Vera tells a grand story using innovative techniques. The chapters tend to be short and are frequently interspersed with letters, detours into the past, and theatrical monologues. The Vega and Sánchez families are made up of vivid, fully realized characters, and Vera has a knack for writing dialogue that is full of personality. Her descriptions of Puerto Rico’s natural beauty are impressive: “[Vicente and Valentina] meant only to look up at the stars from the veranda, but the scent of orchids lured them into the garden and soon they were enveloped by coconut palms. Las damas de noches opened their white petals for the moon, and the moon mistook the silver embroidery on Valentina’s dress for stars.” Where the novel runs ashore is in grappling with historical events. Vega chronicles the exploitation of Puerto Rico by the Spanish and then the Americans, and the reader will emerge with a deep sense of Puerto Rican history and suffering that has been lost to most Americans, but at times the author's devotion to historical details and anecdotes pushes the beautifully wrought characters aside.

Vera’s breakout novel is a sweeping, emotional tale that puts her characters, and her readers, through an emotional wringer.

Pub Date: June 16, 2020

ISBN: 978-1-63149-773-5

Page Count: 384

Publisher: Liveright/Norton

Review Posted Online: March 29, 2020

Kirkus Reviews Issue: April 15, 2020

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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