Playing a wrong note strikes the right chord for a determined little girl in this winning children’s story.
In Bader’s picture book, a new nickname invites a new perspective.
Petunia is a little girl who believes that everything has its proper place and that anything done less than perfectly is unacceptable. (“If there was one thing Petunia knew, it was the importance of being PERFECT.”) Petunia has never heard of a “perfectionist,” but when she overhears her classmate call her one, she looks up the word in the dictionary and proudly shares her new nickname with her mother at home. Petunia isn’t convinced when her mother tells her that there are benefits to making mistakes…until the unthinkable happens and Petunia makes a mistake herself. Encouraged by her teacher and her classmates, this aha moment helps her understand what her mom meant. Bader’s engaging text misses an opportunity: While highlighting the word mistake in red likely represents Petunia’s attitude toward imperfections, it reinforces her aversion when another color would have better supported the book’s theme of mistakes promoting growth. The images of Petunia’s fastidiously organized coloring pencils and books in Beykzadeh’s illustrations highlight her perfectionism and the book’s warm color palette. When other characters are depicted in shadow form, Petunia’s hyperfocus is made distinct. Figuring prominently throughout, the color purple cleverly chimes with the alliterative title.
Playing a wrong note strikes the right chord for a determined little girl in this winning children’s story.Pub Date: Aug. 12, 2024
ISBN: 9798985768169
Page Count: 32
Publisher: M. Bader Media
Review Posted Online: June 7, 2024
Review Program: Kirkus Indie
PERSPECTIVES
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
