A hint at the end leaves room for this series to evolve into high school; Amelia may be a bit long in the tooth, but devoted...
In this newest, 20th-anniversary offering of the Amelia’s Notebook series, Amelia graduates middle school and reminisces about all she has learned along the way.
Amelia isn’t allowed to get a real yearbook, so she decides to make her own—a combination notebook/yearbook, of course. Instead of class photos and clubs, Amelia includes what is important to her: friends and life lessons. Much of the notebook is retrospective; fans of the series will enjoy the romp down Memory Lane, but there are a few new challenges that Amelia faces as well. Her best friend, Carly, will be switching schools after graduation, so Amelia will have to enter high school without her. Plus, her dad suggests studying for her bat mitzvah over the summer; Amelia wasn’t raised Jewish, and this new leap into religion is overwhelming. A touch melodramatic (it wouldn’t be a journal without angst), Amelia’s tone remains chatty and breezy as always. In a nod to the very first notebook, published 20 years ago, Amelia is making the same face on the cover, just with a graduation cap perched atop her head. A lot has changed for Amelia, but perhaps not much at all, as well….
A hint at the end leaves room for this series to evolve into high school; Amelia may be a bit long in the tooth, but devoted fans will follow. (Graphic fiction. 8-12)Pub Date: April 20, 2015
ISBN: 978-1-939547-09-5
Page Count: 80
Publisher: Creston
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...
A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.
Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.Pub Date: Oct. 15, 1952
ISBN: 978-0-06-026385-0
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Oct. 1, 1952
PERSPECTIVES
SEEN & HEARD
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...
Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.
Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)Pub Date: Sept. 13, 2016
ISBN: 978-0-545-54061-2
Page Count: 256
Publisher: Scholastic
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
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