As they did in True Heart (1999), Moss and Payne have produced a vivid story, with equally vibrant illustrations, inspired by a historical event. Harriet Quimby was the first woman to fly alone across the English Channel, a feat that went all but unnoticed because it took place on April 16, 1912—the day the Titanic sank. Quimby was already a newspaper reporter, and she became the first American woman to receive a pilot’s license. Told in the first person, much of the description of her brief, cold, and daring flight across the Channel is taken from her own account of it for the New York Herald. Moss weaves a rich tapestry of description for Quimby’s story, full of heightened but crystalline language describing the desire to fly, and the fulfillment of that desire. Payne’s illustrations have wonderful heft and texture and just the right period feel. Details of the “aeroplane” and of the characters’ gesture and dress are done with wit and grace. Aviator Gustav Hamel’s lame-brained plot to impersonate Harriet is straightfowardly presented in the text but with no attempt to hide its foolish sexism. (author’s note) (Picture book/biography. 7-10)
Pub Date: Sept. 1, 2001
ISBN: 0-15-202380-1
Page Count: 32
Publisher: Silver Whistle/Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2001
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Strong rhythms and occasional full or partial rhymes give this account of P.T. Barnum’s 1884 elephant parade across the newly opened Brooklyn Bridge an incantatory tone. Catching a whiff of public concern about the new bridge’s sturdiness, Barnum seizes the moment: “’I will stage an event / that will calm every fear, erase every worry, / about that remarkable bridge. / My display will amuse, inform / and astound some. / Or else my name isn’t Barnum!’” Using a rich palette of glowing golds and browns, Roca imbues the pachyderms with a calm solidity, sending them ambling past equally solid-looking buildings and over a truly monumental bridge—which soars over a striped Big Top tent in the final scene. A stately rendition of the episode, less exuberant, but also less fictionalized, than Phil Bildner’s Twenty-One Elephants (2004), illustrated by LeUyen Pham. (author’s note, resource list) (Picture book. 7-9)
Pub Date: Sept. 26, 2005
ISBN: 0-618-44887-X
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2005
The author of Cod’s Tale (2001) again demonstrates a dab hand at recasting his adult work for a younger audience. Here the topic is salt, “the only rock eaten by human beings,” and, as he engrossingly demonstrates, “the object of wars and revolutions” throughout recorded history and before. Between his opening disquisition on its chemical composition and a closing timeline, he explores salt’s sources and methods of extraction, its worldwide economic influences from prehistoric domestication of animals to Gandhi’s Salt March, its many uses as a preservative and industrial product, its culinary and even, as the source for words like “salary” and “salad,” its linguistic history. Along with lucid maps and diagrams, Schindler supplies detailed, sometimes fanciful scenes to go along, finishing with a view of young folk chowing down on orders of French fries as ghostly figures from history look on. Some of Kurlansky’s claims are exaggerated (the Erie and other canals were built to transport more than just salt, for instance), and there are no leads to further resources, but this salutary (in more ways than one) micro-history will have young readers lifting their shakers in tribute. (Picture book/nonfiction. 8-10)
Pub Date: Sept. 1, 2006
ISBN: 0-399-23998-7
Page Count: 48
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2006
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