Intent on undertaking an audacious open-air exploit, but lacking even rudimentary camping skills or basic gear, an adventure-travel writer recounts his unconventional trek to the mysterious Machu Picchu.
Teamed with an irascible Australian guide and a group of Quechua-speaking mule tenders, Adams (Mr. America: How Muscular Millionaire Bernarr Macfadden Transformed the Nation Through Sex, Salad, and the Ultimate Starvation Diet, 2009) journeyed through the wilds of Peru to unravel the persistent puzzle surrounding the Lost City of the Incas: What was its purpose? The author deftly weaves together two story lines, each peopled with striking characters and astonishing landscapes. Told in alternating chapters, Adams details the life and times of Hiram Bingham III, the outsized early-20th-century explorer credited with “discovering” Machu Picchu, whose reputation has recently suffered due to an archaeological controversy. Overlaid on this extensively researched and entertaining historical framework is the author’s humorous recounting of his personal and physical transformation during the demanding trek. Following one extremely strenuous hike, Adams confronted a vacation dilemma. He could either jump on a train or walk another six miles with his 60-pound pack filled with books. “This might be my only chance to hike like a serious adventurer, to carry my own pack like a traveler,” he writes, “not heave it onto the luggage rack like a tourist.” Coupled with his keen eye for the absurd and his knowledge of the travel industry, the author gleefully remarks on the excesses of the increasingly commercialized adventure-travel business, while never hesitating to point out his own foibles. A funny, erudite retrospection offering more subtle and lasting rewards than the usual package tour.
Pub Date: June 30, 2011
ISBN: 978-0-525-95224-4
Page Count: 336
Publisher: Dutton
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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