Thorne’s 12th is a tour de force of suspense that dares you to guess the secrets of a magician who’s made his intentions...
DI Tom Thorne escorts a convicted serial killer to a remote Welsh island with predictably eventful results.
Twenty-five years after teenage car thief Simon Milner disappeared from Tides House, a facility for young offenders on Bardsey Island, his mother still doesn’t know what happened to him. Now she has a chance at the closure she craves. Stuart Nicklin, a notorious murderer who put in his time at Tides House along with Simon, says he killed the boy he befriended and that he knows where he buried him. Since the topography of Bardsey—a real-life island reputedly home to the graves of countless saints—is tricky, Nicklin can’t just tell the coppers the location of Simon’s last resting place; he has to lead them to it, and he insists on taking along both Thorne, who put him away, and a more recent friend, history teacher Jeffrey Batchelor, who’s been imprisoned along with Nicklin for killing the young man who jilted Batchelor’s teenage daughter, which led to her suicide. The staff of Long Lartin prison takes all possible precautions in transporting the two prisoners to Bardsey, but Thorne knows that something will go terribly wrong, and of course, he’s right. Like the manipulative Nicklin, Billingham (The Dying Hours, 2013, etc.) delights in toying with his audience, and most readers’ nerves will be shredded long before the sadistic import of Nicklin’s deep-laid plot finally becomes clear.
Thorne’s 12th is a tour de force of suspense that dares you to guess the secrets of a magician who’s made his intentions perfectly clear from the very beginning.Pub Date: June 3, 2014
ISBN: 978-0-8021-2248-3
Page Count: 400
Publisher: Atlantic Monthly
Review Posted Online: April 16, 2014
Kirkus Reviews Issue: May 1, 2014
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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