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LAZYBONES

Written with care, though Billingham may need to switch the formula soon.

London police inspector Tom Thorne (Scaredy Cat, 2003) goes up against another sadistic killer—though this time the pulse hardly quickens.

Just as grumpy as he was in his previous outing, Thorne is also a little lonelier and randier: a combination that won’t serve him well in the trap that’s set for him. A murderer with a hard-to-suss motive has started snuffing convicted rapists who’ve been released from prison. He (they think it’s a he) likes to whet the rapists’ appetites with suggestive correspondence and pictures, then lure them to a hotel and—well, the details are a bit rough. Let’s just say there’s little for Thorne and his all-too-human squad at the Metropolitan Police Service (normally a pretty sensitive cop, Thorne fondly remembers a time when they were a “force” and not a “service”) much to go on. Compounding the lack of workable clues is the fact that it’s hard for most people (readers included) to whip up much sympathy for the victims, and when Fleet Street gets a whiff of the story, the tabloids can’t congratulate the killer enough for his deeds. And, just to make Thorne’s personal life (a long, sad round of takeout curry, football on the telly, and cans of lager) even more desolate, his apartment gets burgled and his car stolen. About the only thing looking up for him is the sputtering flirtation he’s carrying on with Eve, a florist who telephoned in the first murder scene Thorne was called to (the killer likes to order bouquets). What the author has going for him is an unusually character-rich policeman who carries some of the gravitas of a George Pelecanos or James Lee Burke protagonist without those authors’ tendencies toward morose self-involvement. Frustratingly, though, the plot is stalled as often as Thorne’s relationship with Eve, and the climax’s big surprise is telegraphed about a hundred pages too early.

Written with care, though Billingham may need to switch the formula soon.

Pub Date: June 1, 2004

ISBN: 0-06-056085-1

Page Count: 320

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2004

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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