THE WRONG HANDS

A second oddball outing for DS Declan Miller, still literally haunted by the murder of his wife that hung over his debut in The Last Dance (2023).

When you’ve hired a hit man to eliminate a troublesome target, it’s only natural that you’d want proof of death, right? So gang leader Wayne Cutler, who’s already battling former drag queen Ralph Massey for control of Blackpool’s underworld, has asked Dennis Draper (not his real name) to bring him a briefcase with the ringed, severed hands of the late George Panaides. These best-laid plans are torpedoed by Andy Bagnall, a thief-in-training who nicks the briefcase while Draper’s in a public washroom and then, horrified by his discovery of its contents, abjectly presents it to Miller. Miller, already suspecting Cutler of complicity in the death of his wife, Alex—who continues to pop up in disconcerting contexts and launch conversations with him—would love to use this unexpected gift to bring Cutler down, perhaps with the help of Finn, Alex’s homeless daughter. While he’s trying to do that, though, Cutler, unaware that the evidence he wanted is already in the hands of Serious and Organised Crime, calls in Martin “Torchy” Molineux, an even more fearsome killer, to retrieve it by leaning hard on Draper, on Andy, and on Andy’s sister, Natalie, a nurse at Victoria Hospital. Although the tone of these nonstop shenanigans is never exactly lighthearted, their frantic pace, the ineptness of both cops and robbers, and the constant habit of many characters of sizing up their self-performative personas make it never less than madcap.

The whole shebang is so propulsive you’ll hardly care about the identity of the detective’s final, and forgettable, quarry.