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CHILDREN OF THE AIR

Indelible characters, two-legged or otherwise, power this superb, melodramatic tale.

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Humans and animals in small-town America unite and diverge in this novel about families and devastating loss.

Mary Peabody loves her freethinking 13-year-old daughter, Melissa, but needs a break. Motherhood hasn’t been easy, especially since Lissy’s father abruptly left three years ago. Mary sends Lissy to the teen’s recently widowed grandfather’s farm for the summer. But as Mary spends most of her precious solitude watching TV, will her resultant guilt overwhelm her? Surprisingly, her life parallels Corwynn’s, an eagle nurturing three eggs in her nest in the dense woods not far from Lissy at her grandfather Ed Nowlen’s home. When humans capture the eaglets’ father, Corwynn—worried she won’t be able to care for her babies alone—contemplates abandoning the eggs. Other colorful characters gradually join the story: an injured owl; a high schooler fleeing his “meaningless” life and abusive father; and Ed’s loyal dog, Shep, who, like his owner, shows copious signs of his advancing age. They form a series of fractured families learning to rely on others, though some of them prove selfish or even outright malicious. In this somber tale, Smith writes in a beautifully simple style. This matches the animals’ outlook; they live in the moment, as the narrative focuses on singular tasks, such as Corwynn hunting for food. The animals’ perspectives can also be endearing. Birds, for example, see humans with “malformed wings,” and Shep’s name for Ed is “Good.” But this story is largely humorless, teeming with characters not ready to say goodbye, from Ed still mourning his wife to Lissy viewing high school as the unwanted end of her childhood. Similarly, there’s a sad death or two as well as a violent act with long-lasting repercussions. The novel is not all gloom, though, as these glimpses into varied but comparable lives create a truly rewarding experience.

Indelible characters, two-legged or otherwise, power this superb, melodramatic tale.

Pub Date: Feb. 2, 2020

ISBN: 978-1-939636-04-1

Page Count: 226

Publisher: Mottled Speck

Review Posted Online: Jan. 3, 2022

Kirkus Reviews Issue: Feb. 15, 2022

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IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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HATCHET

A prototypical survival story: after an airplane crash, a 13-year-old city boy spends two months alone in the Canadian wilderness. In transit between his divorcing parents, Brian is the plane's only passenger. After casually showing him how to steer, the pilot has a heart attack and dies. In a breathtaking sequence, Brian maneuvers the plane for hours while he tries to think what to do, at last crashing as gently and levelly as he can manage into a lake. The plane sinks; all he has left is a hatchet, attached to his belt. His injuries prove painful but not fundamental. In time, he builds a shelter, experiments with berries, finds turtle eggs, starts a fire, makes a bow and arrow to catch fish and birds, and makes peace with the larger wildlife. He also battles despair and emerges more patient, prepared to learn from his mistakes—when a rogue moose attacks him and a fierce storm reminds him of his mortality, he's prepared to make repairs with philosophical persistence. His mixed feelings surprise him when the plane finally surfaces so that he can retrieve the survival pack; and then he's rescued. Plausible, taut, this is a spellbinding account. Paulsen's staccato, repetitive style conveys Brian's stress; his combination of third-person narrative with Brian's interior monologue pulls the reader into the story. Brian's angst over a terrible secret—he's seen his mother with another man—is undeveloped and doesn't contribute much, except as one item from his previous life that he sees in better perspective, as a result of his experience. High interest, not hard to read. A winner.

Pub Date: Sept. 1, 1987

ISBN: 1416925082

Page Count: -

Publisher: Bradbury

Review Posted Online: Oct. 18, 2011

Kirkus Reviews Issue: Aug. 15, 1987

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