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THE ETYMOLOGICON

A CIRCULAR STROLL THROUGH THE HIDDEN CONNECTIONS OF THE ENGLISH LANGUAGE

Snack-food style blends with health-food substance for a most satisfying meal.

Inky Fool blogger Forsyth debuts with a breezy, amusing stroll through the uncommon histories of some common English words.

The British author settled on a clever device to arrange his material—the end of each entry provides a link to the beginning of the next. Forsyth is interested (obsessed?) with words—how they began and how they’ve journeyed to where they now are. He shows us the connection between sausage and Botox, how an expression like point-blank wandered into everyday usage from archery, that poppycock has a scatological history, that Thomas Crapper manufactured a popular brand of toilet, and how Thomas Edison was the first to use bug as a term for something causing a device to malfunction. Although he uses an informal, even snarky, Internet-appropriate style (“Protestants and Catholics got into an awful spat,” he writes of the Reformation), Forsyth carries more weight than his style sometimes suggests. He alludes periodically to Homer, Shakespeare and other literary heavyweights. He knows his history and geography; the style may be lighter-than-air, but the cargo is substantial. Some other goodies: The telephone popularized the word hello; Shell Oil was once in the seashell business; the Romans were the first to raise in derision the middle finger; bunk came from Buncombe, N.C.; Starbucks can be traced not just to Moby-Dick but to the Vikings’ word for a Yorkshire stream. Occasionally, the author missteps. He says that Noah Webster was “an immensely boring man,” a conclusion not supported by Joshua Kendall’s gracefully told The Forgotten Founding Father (2011).

Snack-food style blends with health-food substance for a most satisfying meal.

Pub Date: Oct. 2, 2012

ISBN: 978-0-425-26079-1

Page Count: 304

Publisher: Berkley

Review Posted Online: Aug. 5, 2012

Kirkus Reviews Issue: Sept. 1, 2012

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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