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A SHORT HISTORY OF RUSSIA

HOW THE WORLD'S LARGEST COUNTRY INVENTED ITSELF, FROM THE PAGANS TO PUTIN

A slim, accessible account of the megacountry.

A fine introduction to a nation that “has responded to its lack of clear frontiers by a steady process of expansion, bringing new ethnic, cultural and religious identities into the mix.”

“Russia is a country with no natural borders, no single tribe or people, no true central identity,” writes Galeotti, an expert on Russian history and culture. The country’s written history only begins in the ninth century, when the Vikings took notice. Readers aware that Norse raiders sailed west as far as America may be surprised to learn that they also traveled eastward as far as the Black Sea to trade and plunder. Called Rus’ by the Slavs, by 900 they had settled in Kiev, adopted Christianity, and established a nation that neighboring Byzantium took seriously. The Mongols conquered Russia around 1240. While conventional histories describe “two centuries of Asiatic despotism,” Mongol rule was fairly benign. By 1500, Moscow was the leading city, and four centuries of spectacular conquests began. Peter the Great (reign: 1682-1725) introduced European culture and technology. Under Catherine the Great (1762-1796), Russia became a European power. Although American and French revolutionary ideals penetrated Russia, Napoleon’s traumatic 1812 invasion convinced the czars that democracy was “a product of dangerous, foreign-inspired freethinking.” As a result, in the 19th century, the country sunk into despotism. As a visiting French aristocrat noted, “this empire, vast as it is, is only a prison to which the emperor holds the key.” Galeotti reaches the 20th century only 50 pages before the end but delivers a fine, abbreviated chronicle. Lenin’s Bolsheviks won Russia’s revolution after a brutal struggle, but his early death meant that the Soviet Union was largely the creation of his heir, Stalin, whose epic cruelty disguises the fact that economic decline and misgovernment, not despotism, doomed his empire. The author blames the Soviet collapse on corrupt, unresponsive leaders, but, as Russia under Putin demonstrates, a corrupt kleptocracy remains popular as long as it provides stability, national pride, and jobs.

A slim, accessible account of the megacountry.

Pub Date: July 7, 2020

ISBN: 978-1-335-14570-3

Page Count: 224

Publisher: Hanover Square Press

Review Posted Online: April 29, 2020

Kirkus Reviews Issue: May 15, 2020

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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THE LOOK

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

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A coffee-table book celebrates Michelle Obama’s sense of fashion.

Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

Pub Date: Nov. 4, 2025

ISBN: 9780593800706

Page Count: 304

Publisher: Crown

Review Posted Online: Nov. 7, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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