As entertaining and sweeping as an engrossing Hollywood epic, and a promising source for a great documentary.
A wide-angle take on a major watershed period in American filmmaking.
Perceptive moviegoers knew that something was afoot in the late 1960s when 2001: A Space Odyssey, with its elliptical plot, mesmerizing images and ambiguous symbols, became one of the most attended and discussed films of the moment. Harris, who covers pop culture for Entertainment Weekly and other publications, chronicles what was going on. In his compelling narrative, the major “characters” become the five films nominated for the 1967 Best Picture Oscar: Guess Who’s Coming to Dinner, Bonnie and Clyde, In the Heat of the Night, The Graduate and Doctor Doolittle. Harris demonstrates how these films bespoke Hollywood’s past and future. Doctor Doolittle, a big-budget musical, and Guess Who’s Coming to Dinner, essentially a Spencer Tracy–Katharine Hepburn romantic comedy, despite a plot about interracial marriage, were traditional studio-era films. The Graduate, Bonnie and Clyde and, to some extent, In the Heat of the Night, introduced new cinematic techniques and structures, many imported from the works of European New Wave directors like François Truffaut and Jean-Luc Goddard. The groundbreaking films also dealt more directly than ever before with themes of violence, sexuality and racism. Harris vividly details the production histories, reaching back several years in some cases to examine how a cast of fascinating characters—inspired writers, determined actors, emerging directors—got these films going. With keen cultural perspective, Harris also shows how Bonnie, Clyde and Benjamin Braddock caught the tenor of the revolutionary ’60s and established, perhaps for the first time on these shores, a vital film culture.
As entertaining and sweeping as an engrossing Hollywood epic, and a promising source for a great documentary.Pub Date: Feb. 18, 2008
ISBN: 978-1-59420-152-3
Page Count: 496
Publisher: Penguin Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2007
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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