A racy, raunchy, entertaining reimagining of ancient Greece.
Historical recovery of an Athenian playwright who scandalized his society.
Novelist, screenwriter, and comedy writer Smith takes the now-forgotten playwright Ariphrades as the central character in his breezy, bawdy riff on fifth-century Greece, contemporary Greek life, the significance of art, his own development as a writer, women’s equality, wine, conviviality, pleasure, and sex. Smith’s interest in the obscure playwright was piqued when he came upon this quotation in Courtesans and Fishcakes, British historian James Davidson’s 1998 book about classical Athens: “At some point in the last quarter of the fifth century a man called Ariphrades had managed to acquire notoriety as a practitioner of cunnilingus.” In a culture where Dionysian festivals featured drunken parades of men “carrying large cocks and shouting obscenities as they cavorted through town,” Ariphrades’ reputation seemed curious, to say the least; consequently, Smith set out to find out what was behind it. Aristophanes—“the big swinging cock of Athenian comedy”—regularly took aim at Ariphrades in his satirical plays, which themselves were “colorful, loud, and very rude.” It may be, Smith thinks, that performing cunnilingus offended men because the act would be seen “as submitting to women” and therefore a betrayal of Athenian patriarchy. Or maybe Ariphrades had become too much of a rival. Smith became curious, too, about the deletion of Ariphrades from literary history: Not even a fragment of his work remains. “He was eradicated,” writes Smith. “To me, that’s a signal that he was important in some way we don’t understand.” Through research and interviews with experts, the author concludes that “the transgressive challenging of cultural and societal norms through sexuality, might be the only legacy Ariphrades leaves us.” He skewered “the aristocracy, the ruling class, the status quo,” and he seemed to have no need for convention. "We need to cultivate enthusiasms like his,” Smith claims. “We need more people to go down on each other.”
A racy, raunchy, entertaining reimagining of ancient Greece.Pub Date: Aug. 17, 2021
ISBN: 978-1-951213-34-3
Page Count: 200
Publisher: Unnamed Press
Review Posted Online: May 20, 2021
Kirkus Reviews Issue: June 15, 2021
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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