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GALANTIÈRE

THE LOST GENERATION’S FORGOTTEN MAN

A well-written, comprehensively researched account of one man with connections to key players in literature and politics...

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A biography of a lesser-known figure of 20th-century literature, written by his distant cousin.

In this debut biography, Lurie takes readers on a journey through the life of his father’s cousin Lewis Galantière, who mingled with Sinclair Lewis and Ernest Hemingway in 1920s France, translated Antoine de Saint-Exupéry’s works into English, and was part of the trans-Atlantic literary scene. In an effort to provide an accurate account, Lurie sorted through a variety of contradictory information and outright lies. Galantière had a tendency to embellish his academic credentials (as a literary critic who never attended college, he claimed a fanciful intellectual history) and reinvent his personal history (he said he was born in France rather than to Latvian immigrants in a Chicago tenement). With lengthy quotations from both Galantière’s writings and the papers of the historical figures he interacted with, Lurie builds a detailed portrait of a challenging man who aspired to distinction and—though he had frequent successes—often fell short of his own goals. The book seamlessly blends Galantière’s professional adventures—with publishers, the Federal Reserve, PEN International, and Radio Free Europe—with his personal life, including multiple marriages and affairs. A detailed notes section expands on many of the topics covered in the book and also provides a way for Lurie to incorporate anecdotes that do not fit into the primary narrative, adding further color and interest to Galantière’s story. The book’s one noteworthy shortcoming is a disinclination to grapple with some of its subject’s less savory traits—in particular, the Jewish Galantière’s occasional anti-Semitism, which Lurie describes but does not explore. On the whole, however, Lurie has produced a substantial, thoughtful biography of a man previously known only through his appearances in the papers of more famous individuals, acknowledging his contributions and placing him in historical context without attributing undue significance to a relatively minor figure in modern intellectual history.

A well-written, comprehensively researched account of one man with connections to key players in literature and politics throughout the 1900s.

Pub Date: April 19, 2018

ISBN: 978-0-9991002-2-6

Page Count: 412

Publisher: Overlook Press LLC

Review Posted Online: May 2, 2018

Kirkus Reviews Issue: June 1, 2018

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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