A burnt-out American doper, fresh from a Bolivian prison, starts out conning a naive social worker by helping her find her magician brother—and ends up conducting her on a tour of the hell that is the coca trade, while gradually recovering his humanity. Ringing new changes on the legacy of Chandler and Traven, this first novel by Jacobs (stories: A Cast of Spaniards, not reviewed), a longtime foreign-service functionary, matches noirish Roger, the Stone Cowboy, whose drug abuse has shorted out body and soul, with Agnes, a prissy Yankee social worker who's come in search of her magician brother Jonathan, now the pet of a major cocaine dealer. Narrating in the louche voice familiar to drug writers from Robert Stone to Jay McInerney, Roger takes Agnes backstage in the so- called war on drugs. Of course, the only way to get to Jonathan— who seems to be seeking the real magic that fled North America with the coming of the Industrial Revolution—is to descend, and so our odd couple will hear Zen wisdom from the mouths of peasants, go for a wild ride with a mad revolutionary radio-broadcaster, work as forced laborers smashing coca leaves in a jungle pit for a vicious middleman, undergo interrogation and beatings by DEA henchmen—and finally travel with the brother and the druglord to the top of an Andean peak, where the last real magician lives. There, Jonathan will get his wish (he becomes a bird as the druglord executes him), and, like the Cowardly Lion, Roger will get to ask the god La Pachamama for his own wish: ``Give me back my heart.'' An unusual love story, to say the least—a little bit as if The African Queen were mixed with Panic in Needle Park—and an impressive debut from a writer with a generous imagination and a daring, if deeply weird, sense of character and fate.
Pub Date: Sept. 10, 1997
ISBN: 1-56947-098-7
Page Count: 304
Publisher: Soho
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1997
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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