Best left on the shelf.
A Brooklyn-based journalist and novelist (Everyone and No One, 1997, etc.) takes his family on an exceptionally tedious global adventure.
Jacobson’s account of their three-month trek from Thailand to England, with extra chapters by eldest daughter Rae, resembles nothing so much as an interminable evening of slide-watching at a neighbor’s house. Readers are “treated” to inside jokes, bizarre capitalization (“So now we were back at the Burning Ghat, with The Future in tow, the Three of Them”), and self-satisfied comments (“The earth, which was round, was lucky to have us”). The family travels to India, where the three children are upset by the Varnasi cremation pyres, and to Cambodia, where they are distressed by the Toul Sleng genocide museum. Jordan is a relief: it’s clean, new, and has the advantage of being the first place on the trip where Jacobson and his wife haven’t been before. While Jacobson reflects at length about his past, and writes pages about each of the children, his wife is hardly mentioned. Her entire identity consists of having had cancer some time before the trip and having made a similar trek with her husband 20 years earlier. From Jordan the family moves on to Egypt (briefly considering relocating to Cairo), then to Israel, to France (where 16-year-old Rae finally meets up with her New York friends), and eventually to England. In between destinations, Jacobson muses about his eldest—brilliant, but failing high school; about middle child Rosalie, a self-assured 12-year-old; and about 9-year-old Billy, obsessed with computer games and sneakers. The author offers no insights save those that would be meaningful to his family, and his humor reads as arrogance: “It was one thing for Cambodians to eat tarantulas—they even ate durians, the only fruit that smelled like a busted sump pump. But a white guy eating a tarantula? This raised the stakes.”
Best left on the shelf.Pub Date: July 1, 2003
ISBN: 0-87113-852-2
Page Count: 288
Publisher: Atlantic Monthly
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2003
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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