Personal, savvy journalism that will make readers stop in their tracks and ponder. Provocation, in a word, and Jacobson will...
Jazzy, under-the-skin forays into all manner of New York City life, from journalist Jacobson (12,000 Miles in the Nick of Time, 2003, etc.).
Jacobson’s collection of articles from The Village Voice, Rolling Stone, Esquire and New York magazine display his reportorial skills at their best. He’s a street writer who melts into the background and lets his subjects speak for themselves, for better or worse. The material covers a 30-year passage through the city, from the cool cosmology of punk magazine impresario Legs McNeil and the fortunes of blaxploitation movie star Pam Grier to the pounding aftermath of 9/11: “This is home. The fuckers had come to my home. New York, where the trains always ran, even now.” The anthology inevitably includes some dated lingo, as well as displays of all-knowing, youthful fatuousness (“After all, what were hippies if not white kids acting like blacks?”), but it also shows off such prime investigative journalism as Jacobson’s account of drug-dealer Frank Lucas using Henry Kissinger’s plane to smuggle marijuana out of Asia. (Henry was not an accomplice.) The range of his journalistic endeavors is marvelous, from checking out the mysterious death of Bruce Lee, delivering a baseball cap to the Dalai Lama (“These Dodgers—they are exiles from their native country . . . like Tibetans!”), describing the night shift of a New York City cabbie, taking measure of the gangs of Chinatown, hanging out on sleazy street corners. “I experience as a New Yorker first, a citizen of the city,” Jacobson writes: he rides the N train at the worst of times, hates the Yankees, feels a pang when his mother sells the family house in Queens.
Personal, savvy journalism that will make readers stop in their tracks and ponder. Provocation, in a word, and Jacobson will trade you slap for slap.Pub Date: May 1, 2005
ISBN: 0-8021-7008-0
Page Count: 480
Publisher: Black Cat/Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2005
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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