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STARRING LORENZO, AND EINSTEIN TOO

Lorenzo Fortunato is the odd-egghead-out in a family of performers. While the others juggle, play banjos and crack wise, Lorenzo bumbles about, his head full of equations and space travel. His twin sisters taunt his ineptness—not mercilessly, but enough to give the story a realistic bite, which is softened by Nichols’s brisk, retro-flavored watercolors. More to Lorenzo’s liking, he fires up his spaceship and flies with Albert Einstein (who’s as likely as Howdy Doody to be recognizable to the publisher’s target audience of three- to five-year-olds) to distant galaxies, where the stars sing and the hippopotami are tiny and blue. Less to his liking, he misses his family. Albert understands (“Everybody needs a family”), and the two crash land their craft in the midst of a family performance—a neat piece of showmanship—and loving embraces ensue. Karlins’s finale may be clangingly unsubtle—there never seemed to be much of an issue that Lorenzo’s parents adored their little incompetent—but it also has a hug of inclusiveness that Walt Whitman would have admired. Every family needs an eccentric. (Picture book. 5-8)

Pub Date: April 1, 2009

ISBN: 978-0-8037-3220-9

Page Count: 32

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2009

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JOE LOUIS, MY CHAMPION

One of the watershed moments in African-American history—the defeat of James Braddock at the hands of Joe Louis—is here given an earnest picture-book treatment. Despite his lack of athletic ability, Sammy wants desperately to be a great boxer, like his hero, getting boxing lessons from his friend Ernie in exchange for help with schoolwork. However hard he tries, though, Sammy just can’t box, and his father comforts him, reminding him that he doesn’t need to box: Joe Louis has shown him that he “can be the champion at anything [he] want[s].” The high point of this offering is the big fight itself, everyone crowded around the radio in Mister Jake’s general store, the imagined fight scenes played out in soft-edged sepia frames. The main story, however, is so bent on providing Sammy and the reader with object lessons that all subtlety is lost, as Mister Jake, Sammy’s father, and even Ernie hammer home the message. Both text and oil-on-canvas-paper illustrations go for the obvious angle, making the effort as a whole worthy, but just a little too heavy-handed. (Picture book. 5-8)

Pub Date: May 1, 2004

ISBN: 1-58430-161-9

Page Count: 32

Publisher: Lee & Low Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2004

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THE NOTE WHO FACED THE MUSIC

Amusing but a little off tempo.

It’s important to hit all the right notes.

A tan-skinned musical composer with puffy black hair is busy at work on his next musical masterpiece when Half Note, a music symbol denoting two beats, feels unappreciated. Half Note is jealous of the more commonly used Quarter Note (one beat) and Eighth Note. Although the other musical symbols attempt to calm and comfort Half Note, she decides to run away. The next day, Composer needs Half Note and panics when he realizes that she’s gone. The other notes and musical symbols try to find her, but it’s only when they try to play her favorite song, “Twinkle, Twinkle, Little Star,” without her—with terrible results—that she comes running back. The story’s humor—which is largely based on “dad joke” puns—is completely dependent on readers’ musical knowledge. The artwork, a mix of acrylic and colored pencil, attempts to add some allegrezza to the piece, and while it’s not unsuccessful, it’s facing an uphill battle. Music teachers and musically minded caregivers may find some value in this story, but it will likely be too specialized for general readers. (This book was reviewed digitally.)

Amusing but a little off tempo. (glossary) (Picture book. 6-8)

Pub Date: March 14, 2023

ISBN: 978-1-64567-631-7

Page Count: 32

Publisher: Page Street

Review Posted Online: Dec. 23, 2022

Kirkus Reviews Issue: Jan. 15, 2023

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