by Mark Kurlansky ‧ RELEASE DATE: May 1, 2011
Two of the chapter titles anticipate two of the likely responses: “So?” and “Huh?”
A conceptual essay collection as parlor game.
Even shorter than this very short book initially appears (with lots of white space and full-page illustrations), the latest from Kurlansky (The Eastern Stars: How Baseball Changed the Dominican Town of San Pedro de Macoris, 2010, etc.) is a radical departure from his usual work, which features exhaustive research into topics of comparatively limited scope (Salt, Cod, etc.). Here the author uses an interrogative shorthand to sketch inexhaustible concepts such as the purpose and meaning of life (and death), the essence of literature and the ontology of asking questions. Nearly every sentence (as well as chapter titles) ends with a question mark. Some are questions; others are declarative sentences reworked into questions. Some blur the line between serious and seriously goofy: “If whoers are gossips, wheners impatient, whyers dreamers, where-ers lost, and howers pragmatists, is it the whaters who cut to the heart of things,” he asks in the title chapter. “What am I talking about? What is this book? What is a book?” And so on. Kurlansky also cuts to the heart of metaphysical inquiry: “Why are we here? Why is all of this here? What is death? What does it mean that outer space is infinite and what is after infinity?” Is the book’s concept a good one? Does it compromise the author’s originality that the recent novel by Padgett Powell, The Interrogative Mood: A Novel? (2009), adopted a similar stylistic strategy? Though the book can easily be read in one short sitting, it might try the patience of some readers.
Two of the chapter titles anticipate two of the likely responses: “So?” and “Huh?”Pub Date: May 1, 2011
ISBN: 978-0-8027-7906-9
Page Count: 96
Publisher: Walker
Review Posted Online: April 8, 2011
Kirkus Reviews Issue: Jan. 15, 2011
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by Mark Kurlansky ; illustrated by Eric Zelz
BOOK REVIEW
by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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by Albert Camus ; translated by Justin O'Brien & Sandra Smith
BOOK REVIEW
by Albert Camus ; translated by Ellen Conroy Kennedy & Justin O'Brien
BOOK REVIEW
by Albert Camus translated by Arthur Goldhammer edited by Alice Kaplan
by Timothy Paul Jones ‧ RELEASE DATE: Sept. 1, 2005
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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