When Saturday Night Live loses its luster, open this book. Open it anywhere.
Leyner's follow-up to My Cousin, My Gastroenterologist (1990), which achieved a kind of cult status, is both less and more: Once again it's a pop-culture collage with Leyner at center stage doing a series of stand-up routines, but it's also like a pimple that Leyner decided to show off simply because it appeared on his face.
While there are a number of excerpts or chapters from a purported manuscript titled "Et Tu, Babe'' ("The four-foot hermaphroditic organism from a distant solar system twitched in my arms as I soul-kissed it....''), mostly the story now is about author Leyner describing character Mark Leyner's reaction to the public and cultural reception of My Cousin: "My whole life has been one long ultraviolent hyperkinetic nightmare.'' Before this mercifully comes to its end, we are treated to a series of Woody Allen-like one-liners ("In 1987, I enrolled in a 12-step program for people who pistol-whip their tailors'') and college humor that's usually antic or amusing enough to buy at least a grin. Flip through the pages, and, here, for example, is our author entering the Hyatt Self-Surgery Clinic: "the medical equivalent of U-Hauls or rental rug shampooers.'' Or here is "visceral tattooing—a tattoo on the heart'' for a guy surfing. Or here's the Jack LaLanne Health Spa. Or a spoof of a Presidential news conference. Or "Varicose Moon,'' a play in one act. And here's an oral history in which various celebrities memorialize Leyner before he disappears. Slapstick, postmodern yuk-yuks for the MTV set.
When Saturday Night Live loses its luster, open this book. Open it anywhere.Pub Date: Oct. 6, 1992
ISBN: 0-517-58335-6
Page Count: 160
Publisher: Harmony
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1992
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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