by Mark Leyner ‧ RELEASE DATE: March 6, 2016
It’s pointless trying to classify or summarize Leyner’s work. By now readers who get it are prepared to buy the ticket and...
Things have been positively normal around here for a while; it must be time for another dose of Leyner (The Sugar Frosted Nutsack, 2012, etc.).
“Before I start, I’d like to say: Fuck everyone who said I was too paradoxical a hybrid of arrogant narcissism and vulnerable naïveté to succeed in life (even though they were right)” writes Leyner to set the stage. So begins the alleged autobiography of the author Kirkus once dubbed “the poet laureate of the MTV generation.” If The Tetherballs of Bougainville (1997) was about Leyner’s father, this is an affectionate if honest love letter to his mother, Muriel. Not that the gravity of family drama stops Leyner from going full-on meta with a nesting-doll scenario of such surreal dimensions that there’s no doubt it’s really him. First of all, it’s not even a straight-up autobiography. It’s a novel about Leyner performing a reading of his autobiography in the food court of the Woodcreek Plaza Mall along with his mother, a few fast-food drones—and absolutely no other audience. After an introduction by his mother, Leyner explains the origin of Gone with the Mind, which started as an autobiography in the form of a first-person shooter that begins when the author is assassinated or commits suicide. His ghost must then travel backward in time undoing the events of his life. “The, uh…the goal of the game is to successfully reach my mother’s womb, in which I attempt to unravel or unzip my father’s and mother’s DNA in the zygote, which will free me of having to eternally repeat this life.” His mother’s reaction? “It almost seems like overkill to me.” Despite the hyperstylized self-satire at work here, there’s a sweet story to be had for those who appreciate the author’s singularly outlandish wit.
It’s pointless trying to classify or summarize Leyner’s work. By now readers who get it are prepared to buy the ticket and take the ride.Pub Date: March 6, 2016
ISBN: 978-0-316-32325-3
Page Count: 256
Publisher: Little, Brown
Review Posted Online: Dec. 21, 2015
Kirkus Reviews Issue: Jan. 1, 2016
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by Kristin Hannah ‧ RELEASE DATE: July 1, 2004
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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