by Mark Lilla ‧ RELEASE DATE: Sept. 6, 2016
Lilla provides a welcome corrective in restoring analytical balance but is less convincing when he veers toward polemics.
A short book drawn from a series of essays analyzes the contemporary relevance of the oft-maligned “reactionary,” who isn’t retreating into the past so much as reclaiming it.
Though the revolutionary impulse has been analyzed to the point of overkill, Lilla (Humanities/Columbia Univ.; The Stillborn God: Religion, Politics, and the Modern West, 2007, etc.) suggests that its opposite pole has been all but ignored, that “we have no such theories about reaction, just the self-satisfied conviction that it is rooted in ignorance and intransigence, if not darker motives.” The author proceeds to argue that the revolutionary spirit is all but spent, that its reactionary counterpart is on the ascent, and that liberal relativism has been exposed in the process. He says that this strain is not restricted to the right and that reactionary “tropes can also be found on the fringe left, where apocalyptic deep ecologists, antiglobalists, and anti-growth activists have joined the ranks of twenty-first-century reactionaries.” Lilla opens with biographical essays on three intellectuals (Leo Strauss the best known among lay readers), grounding the book in the religious reaction of “theoconservatism,” though the analysis provides context dating back to Socrates and Plato. The essay on Strauss underscores a “distinction between nature and convention,” pitting the latter against the moral authority of the former. “It was only a matter of time before modern thought…descended into relativism and nihilism,” he writes. The author’s accounts of terrorism and the anti-Muslim backlash in France make the analysis vividly contemporary, showing how previously it was anathema in France to be “a reactionary with a theory of history that condemned what everyone else considered to be modern progress. Today it is permissible.” Within this context, he claims that Michel Houellebecq’s controversial Submission deserves to be compared with Thomas Mann’s The Magic Mountain. Most American critics weren’t nearly that generous, but the author is less concerned with literary value than with ideas and arguments.
Lilla provides a welcome corrective in restoring analytical balance but is less convincing when he veers toward polemics.Pub Date: Sept. 6, 2016
ISBN: 978-1-59017-902-4
Page Count: 176
Publisher: New York Review Books
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
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by Mark Lilla
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by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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by Albert Camus ; translated by Justin O'Brien & Sandra Smith
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by Albert Camus ; translated by Ellen Conroy Kennedy & Justin O'Brien
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by Albert Camus translated by Arthur Goldhammer edited by Alice Kaplan
by Timothy Paul Jones ‧ RELEASE DATE: Sept. 1, 2005
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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