Never timid about confronting prejudice, Mark Mathabane, the South African-born writer of Kaffir Boy (1986) and Kaffir Boy in America (1989), now tackles with his white wife, Gail, that most enduring of racial taboos—intermarriage. Illegal in many states as late as the mid-60's, interracial marriage—Gail and Mark learned as they met, courted, and wed- -continues to evoke hostility from both races. In alternating chapters, the pair chronicle their initial reactions to each another, their ensuing concerns, and each milestone in their time together—from their meeting as graduate students in New York to their present life with two children in North Carolina. Though immediately attracted to Mark (as he was to her), Gail was particularly fearful—of her father's reactions. A liberal clergyman, he criticized all her boyfriends, and also once had told her that he believed that there were always hidden motives behind interracial marriages. Nevertheless, Gail and Mark embarked on a somewhat rocky courtship, exacerbated by outside pressure to conform as well as by Gail's parents' subsequent divorce, which made Gail fear marriage. The couple did marry secretly, but put on a public and joyful celebration once Gail's family finally accepted Mark. Many blacks were outraged by the marriage, though, calling Mark a traitor to their race and sending threatening letters. And the Mathabanes' later move to North Carolina occasioned further racism—as well as some welcome tolerance. Having experienced apartheid in South Africa, Mark is ``shocked'' and ``disappointed'' that the US is far from being a ``racial utopia.'' Believing that racism is essentially a problem of the heart, however, the couple are teaching their children that they are a union of what is best in both black and white. A personal and candid account of what it means to break an intransigent taboo—and a heartwarming affirmation of love and commitment.
Pub Date: Feb. 12, 1992
ISBN: 0-06-016495-6
Page Count: 256
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1991
BOOK REVIEW
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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SEEN & HEARD
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