A Trump idolator’s dream book. Everyone else should stay far away.
Donald Trump’s former chief of staff serves up servile homage to a man he’s sure will make a comeback bid in 2024.
No president could ask for a more fawning yes man than Meadows. Trump is a genius, a savior, the author avers in this cliché-stuffed, formulaic celebration. He’s a bulwark against what Trump calls “the Radical Left Democrat Communist Party.” That speech he gave at Mount Rushmore, if anyone remembers it? “One of the finest in American history.” Of course, Trump, God’s personal pick, didn’t really lose the 2020 election. When things go wrong, it’s always someone else’s fault. For example, Trump appointed Kavanaugh and Gorsuch to the Supreme Court only for them to rule “in ways that were deeply disappointing to the MAGA movement that had made their appointments possible.” Thanks to Pelosi and the Dems, the economy, formerly strong “due to the work of President Trump and his advisors,” tanked during the pandemic. Speaking of which, “had it not been for the China Virus, we could have spent the past months reaching more voters and running up our historic vote totals even higher”—not to mention battling Fauci, Milley, and countless other enemies. If there’s a conspiracy to be found or an enemy to be named, Meadows does so. Sometimes he falls off message, as when he writes of a typical campaign rally, “the energy of these patriots, all united for a common cause, celebrating their prosperity and patriotism in a shared space, is something you can’t describe until you’re in the middle of the crowd with them.” Prosperity or forgotten/downtrodden Americans: You can’t have it both ways. As for the Jan. 6 mob? All Meadows can muster is a pale “what occurred that day was shameful”—with the immediate deflection that a few bad apples spoiled a noble showing of support for their heroic leader.
A Trump idolator’s dream book. Everyone else should stay far away.Pub Date: Dec. 7, 2021
ISBN: 978-1-73747-852-2
Page Count: 308
Publisher: All Seasons Press
Review Posted Online: Dec. 5, 2021
Kirkus Reviews Issue: Jan. 1, 2022
IN THE NEWS
IN THE NEWS
A revelatory meditation on shattering journeys.
Bearing witness to oppression.
Award-winning journalist and MacArthur Fellow Coates probes the narratives that shape our perception of the world through his reports on three journeys: to Dakar, Senegal, the last stop for Black Africans “before the genocide and rebirth of the Middle Passage”; to Chapin, South Carolina, where controversy erupted over a writing teacher’s use of Between the World and Me in class; and to Israel and Palestine, where he spent 10 days in a “Holy Land of barbed wire, settlers, and outrageous guns.” By addressing the essays to students in his writing workshop at Howard University in 2022, Coates makes a literary choice similar to the letter to his son that informed Between the World and Me; as in that book, the choice creates a sense of intimacy between writer and reader. Interweaving autobiography and reportage, Coates examines race, his identity as a Black American, and his role as a public intellectual. In Dakar, he is haunted by ghosts of his ancestors and “the shade of Niggerology,” a pseudoscientific narrative put forth to justify enslavement by portraying Blacks as inferior. In South Carolina, the 22-acre State House grounds, dotted with Confederate statues, continue to impart a narrative of white supremacy. His trip to the Middle East inspires the longest and most impassioned essay: “I don’t think I ever, in my life, felt the glare of racism burn stranger and more intense than in Israel,” he writes. In his complex analysis, he sees the trauma of the Holocaust playing a role in Israel’s tactics in the Middle East: “The wars against the Palestinians and their Arab allies were a kind of theater in which ‘weak Jews’ who went ‘like lambs to slaughter’ were supplanted by Israelis who would ‘fight back.’” Roiled by what he witnessed, Coates feels speechless, unable to adequately convey Palestinians’ agony; their reality “demands new messengers, tasked as we all are, with nothing less than saving the world.”
A revelatory meditation on shattering journeys.Pub Date: Oct. 1, 2024
ISBN: 9780593230381
Page Count: 176
Publisher: One World/Random House
Review Posted Online: Aug. 2, 2024
Kirkus Reviews Issue: Sept. 1, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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