by Mark Nykanen ‧ RELEASE DATE: Feb. 1, 2004
Pages bronzed with horror.
Detestable, far from stylish, but irresistible suspense thriller, with no shortage of the grisly and ghastly.
Nykanen, an award-winning ex-investigative reporter for NBC News, debuted with the fiendish Hush (1998), a story that turned on the theme of art therapy to overcome childhood autism and delighted in a sexual psychopath for whom murder was the lighter side of his joys. His second outing, however, is not easy to describe without giving away some of the better plot points that sell the work. Even so, most readers will foresee its gripping climactic episodes far, far ahead—there’s only so much you can do with a heroine in distress on the desert. Outstanding is Nykanen’s deep look into modern sculpture, which gives the story its weight, relish and richness. World-famous Ashley Stassler, the greatest living sculptor, is best known for his bronze groupings of figures in abject horror. He’s working on his ninth grouping, which features the Vandersons, a family he kidnapped: slack-bodied Roger; shapely June; their sexually haughty teenaged daughter; and young Sonny-Boy. The Vandersons are cast in dental alginate and then turned into naked bronze figures straining to escape the oncoming and certain death flooding over them. How do they get so strained, with such definition of muscle and vein? Well, kidnapper Ashley puts the caged family on diets, then on strenuous workouts with barbells and exerciser bikes, while feeding them excellent fare. All we’ve left out in this description of the artist’s working method is the sheer artistry he brings to pumping up the Vandersons’ terror, which lends even greater definition to their tortured musculature. Meanwhile, the earlier families he’s kidnapped and cast have been coated with lime, reduced to skeletons, and set up in a private parade of bones. Let us say that even this is the lighter side of Ashley Stassler, much of whose chokehold tale is told from within his own crazed mind.
Pages bronzed with horror.Pub Date: Feb. 1, 2004
ISBN: 1-4013-0018-9
Page Count: 432
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2003
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
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New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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