Twee tale of damaged mechanical doggies finding their bliss—or satirical religious allegory? This import reads either way with equal ease. Punched out on an assembly line, #2304 is so eager to have an owner—“ . . . because all dogs, even robot dogs, want an owner”—that he leaps up prematurely, and breaks an ear. Instantly dubbed “Scrap,” he’s tossed down a chute to a junkyard, where he meets a happy assortment of other reject metal puppies who decide that if they can’t get an owner the usual way, they’ll make one of their own. All rounded edges, rivets and squared-off heads, Oliver’s painted pups, including Scrap, on the cover in a plastic-covered, die-cut frame, are super cute—as is the awkward new “owner,” cobbled together from miscellaneous broken toys, appliances and a small golden heart, who “played with them and loved them and cared for them.” Like Chris Raschka’s Arlene Sardine (1998), the meaning here definitely depends on the reader. (Picture book. 5-7)
Pub Date: Oct. 1, 2005
ISBN: 1-56148-489-X
Page Count: 28
Publisher: Good Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2005
BOOK REVIEW
BOOK REVIEW
Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)
Pub Date: May 23, 2005
ISBN: 0-618-00361-4
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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