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THE OK END OF FUNNY TOWN

Engaging stories that journey through the fantastic to show us the absurdities and bittersweet truths of our present moment.

Sly and witty stories that warp our world to shine a spotlight on people's many foibles and flaws—without quite losing hope in human goodness.

With a nod toward García Márquez's masterful "A Very Old Man With Enormous Wings," Polanzak opens his debut collection with the tale of a giant who settles down in the middle of a town. While the stranger initially fascinates the local residents, as soon as they realize he has no interest in them, they grow completely bored, if not angered, by him, "a tired monster, not interesting enough to even hurt us." It's a theme that Polanzak explores throughout the first section: our failure to empathize with others simply because they are different from us. In the next group of stories, titled “Travel to Fantastic Places!” Polanzak lovingly satirizes things we've lately come to revere in the fantastic place that is the present moment. In "A Proper Hunger," a logical extension of the trendy locavore movement are restaurants where part of the experience is hunting for your own food while in "Our New Community School," the idea that everything is a teachable moment means that everyone's both a teacher and a student, every moment a learning opportunity: "Buying milk and eggs can be done with deeper Distraction from Lost Ambition." Polanzak's brilliance is that he strikes the perfect balance between irony and sincerity, cleverness and sweetness. "How You Wish," for example, offers a smart disquisition on different wish opportunities (e.g., lit birthday candles, shooting stars) and the categories of wishes they support (e.g., selfish, whimsical, meaningful) while also recounting the ups and downs, joys and sorrows of the narrator's long relationship.

Engaging stories that journey through the fantastic to show us the absurdities and bittersweet truths of our present moment.

Pub Date: May 5, 2020

ISBN: 978-1-950774-05-0

Page Count: 200

Publisher: BOA Editions

Review Posted Online: May 3, 2020

Kirkus Reviews Issue: May 15, 2020

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THE BLUE HOUR

This propulsive thriller twists into the dark and bloody underbelly of the world of fine art.

The discovery that a revered artist’s sculpture contains a human bone sets off scandal and violence.

Art historian James Becker has what seems like a sweet deal. He’s the curator of the collection of the Fairburn Foundation, housed at a stately home owned by the Lennox family: Sebastian, Becker’s best friend, and his bitter mother, Lady Emmeline. Becker’s wife, Helena, was Sebastian’s fiancee first, but they’re all very civilized about it and happily awaiting the birth of her baby. The centerpiece of the Fairburn collection is works by the late Vanessa Chapman, an artist about whom Becker wrote his thesis, and with whom he is somewhat obsessed. Partly, it’s because of her great talent, but she was also a glamorous figure, a beauty who, as she became successful, sequestered herself on an isolated Scottish tidal island called Eris. She had a dark side—lots of stormy relationships, plus a philandering mooch of a husband who vanished without a trace a few decades ago. Her reputation, though, has risen after her death—so much so that the Fairburn has loaned some of her works to the Tate Modern. That’s where a forensic anthropologist sees one of her sculptures, made of found objects that include what’s described as an animal bone. The scientist is sure the bone is human, and soon Becker finds himself scrambling to prevent scandal. Vanessa willed her works and papers to the foundation, but some of them are still on Eris, guarded by her longtime friend Grace Haswell. A retired doctor, Grace lived with Vanessa off and on over the years and nursed her through her fatal cancer. It was a surprise when Vanessa left her estate not to Grace but to Douglas Lennox, Emmeline’s husband and Sebastian’s father. Douglas was Vanessa’s gallerist and lover, but the two had a nasty falling-out. Sebastian is so frustrated by Grace’s refusal to turn over all of the bequest that he’s ready to sue her, but Becker believes he can negotiate, so off to the the island he goes. He finds far more treachery and shocking secrets than he expected, past and present alike. Hawkins keeps her cast tight, her wild setting ominous, and her plot moving fast.

This propulsive thriller twists into the dark and bloody underbelly of the world of fine art.

Pub Date: Oct. 29, 2024

ISBN: 9780063396524

Page Count: 320

Publisher: Mariner Books

Review Posted Online: Sept. 14, 2024

Kirkus Reviews Issue: Oct. 15, 2024

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INTERMEZZO

Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.

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  • New York Times Bestseller

Two brothers—one a lawyer, one a chess prodigy—work through the death of their father, their complicated romantic lives, and their even more tangled relationship with each other.

Ten years separate the Koubek brothers. In his early 30s, Peter has turned his past as a university debating champ into a career as a progressive lawyer in Dublin. Ivan is just out of college, struggling to make ends meet through freelance data analysis and reckoning with his recent free fall in the world chess rankings. When their father dies of cancer, the cracks in the brothers’ relationship widen. “Complete oddball” Ivan falls in love with an older woman, an arts center employee, which freaks Peter out. Peter juggles two women at once: free-spirited college student Naomi and his ex-girlfriend Sylvia, whose life has changed drastically since a car accident left her in chronic pain. Emotional chaos abounds. Rooney has struck a satisfying blend of the things she’s best at—sensitively rendered characters, intimacies, consideration of social and philosophical issues—with newer moves. Having the book’s protagonists navigating a familial rather than romantic relationship seems a natural next step for Rooney, with her astutely empathic perception, and the sections from Peter’s point of view show Rooney pushing her style into new territory with clipped, fragmented, almost impressionistic sentences. (Peter on Sylvia: “Must wonder what he’s really here for: repentance, maybe. Bless me for I have. Not like that, he wants to tell her. Why then. Terror of solitude.”) The risk: Peter comes across as a slightly blurry character, even to himself—he’s no match for the indelible Ivan—so readers may find these sections less propulsive at best or over-stylized at worst. Overall, though, the pages still fly; the characters remain reach-out-and-touch-them real.

Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.

Pub Date: Sept. 24, 2024

ISBN: 9780374602635

Page Count: 464

Publisher: Farrar, Straus and Giroux

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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