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YUGEN

Beauty is ever present in this book, amid loss and mystery

Step into a dream of a story by the team that created Wabi Sabi (2008).

Reibstein and Young reunite in this sophisticated, dreamy, lyrical tribute to maternal love and loss, the eternity of memories, and the power of nature to depict human emotions. The narrator is a child named Eugene but whose mother calls him Yugen. An author’s note explains Yugen means “subtle or profound” in Japanese, an apt description for the poetry and artwork in this book. Yugen’s mother is from Japan and traveled there once, while Yugen stayed behind, but they remained close by glimpsing a star in the sky together. Eventually the mother leaves again, though the exact reason is not explained, and the child wishes upon the moon that she return soon. Simple, smudged charcoal lines against yellow-beige textured backgrounds portray form rather than expression—the outlines of a child’s face, a mother and child in the bath, a cat against a dark night sky, and more. Spare stanzas gently recount remembrances amid this great loss. Cherry blossoms fall, as tears must do, starlight on snow, evoking the sadness of a child left behind. This unconventional picture book offers opportunities to discuss poetic form, Japanese culture and customs, artistic style, and storytelling—making this book perfect for older readers as well.

Beauty is ever present in this book, amid loss and mystery . (Picture book. 6-12)

Pub Date: Sept. 25, 2018

ISBN: 978-1-60980-865-5

Page Count: 32

Publisher: Triangle Square Books for Young Readers

Review Posted Online: July 29, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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WRECKING BALL

From the Diary of a Wimpy Kid series , Vol. 14

Readers can still rely on this series to bring laughs.

The Heffley family’s house undergoes a disastrous attempt at home improvement.

When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.

Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)

Pub Date: Nov. 5, 2019

ISBN: 978-1-4197-3903-3

Page Count: 224

Publisher: Amulet/Abrams

Review Posted Online: Nov. 18, 2019

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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