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GROWING UP ABSURD IN SUBURBIA

An affectionate and often incisive appraisal of the author's thoroughly peculiar yet thoroughly representative suburban Connecticut adolescence. Novelist Salzman's previous memoir, the well-received Iron and Silk (1987), told of his experiences during a two-year stint as an English teacher in China. He begins here by narrating drolly the quintessentially American way his interest in China started: At 13 he saw a kung fu movie and suddenly developed a conviction that he would become a Zen monk. He built a shrine around some chopsticks and incense, purchased a Surprise Bald Head Wig in lieu of cutting off his hair, and soon began taking kung fu lessons, in which he persisted. Salzman recalls his conflicted allegiances to several role models: his terrifying, drunken, somehow inspiring kung fu master, Sensei O'Keefe; his fellow kung fu student Michael, whose fatherless home full of delinquent brothers was the opposite of Salzman's own orderly household; and especially his father, who managed to refrain from expressing disapproval even in the face of his son's undigested Zen babble. A high school teacher persuaded Salzman to study Chinese language and culture seriously, and he wound up learning traditional landscape painting from a waiter at the local Chinese restaurant. Salzman's gentle mockery of adolescent foibles is so dead-on that he achieves Waugh-like moments of hilarity. But in the second half both the humor and the insights trail off a little: After a particularly psychotic demonstration by Sensei O'Keefe, Salzman quit kung fu, which ended his friendship with Michael. He graduated from high school a year early, smoked a lot of pot, and played jazz cello in the basement. Then he went to Yale, had bouts of fairly ordinary existential malaise, and emerged wiser. Salzman engagingly describes teen malleability and confusion; hopefully he'll immortalize his childhood next.

Pub Date: Aug. 1, 1995

ISBN: 0-679-43945-5

Page Count: 224

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1995

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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