by Mark Smith ‧ RELEASE DATE: July 12, 2017
A sometimes-flippant tale of puzzling murders bolstered by an amiable, unlikely hero.
In Smith’s debut thriller, a psychologist comes to believe that a patient, who claims to have four ghosts in his body, is responsible for a number of deaths.
One of David Summers’ more unusual patients in the Behavioral Care Unit at the South Regional Medical Center is Mark Smith in Room 316. Smith says that his body contains several ghosts who function as a single entity—those of Tom Williams; his brother, William; and each man’s son, Ben and Mike. Certainly it could be psychosis, but Summers soon finds that strange, inexplicable events seems to happen to Smith. One day, the patient seemingly disappears from a secured room; if the security footage is to be believed, he vanished into thin air. Things take a more frightening turn after a doctor dies in an apparent accident: Summers receives an envelope containing an item referencing the death—postmarked the day before it happened. The missing patient then inexplicably returns to the hospital, and more deaths occur, followed by more envelopes. Before long, the doctor concludes that Smith is, in fact, a bona fide collection of ghosts, just as he claims. Not only is Smith somehow behind the deaths, he thinks, but he’s also certain that he’ll kill many more people. The only option, as far as Summers is concerned, is killing Smith, so he concocts a risky plan that involves delving into the histories of the four ghosts. If it works, the doctor could save the world; if not, billions of people could potentially die. The author impressively retains a sense of ambiguity through this horror novel. The existence of Smith’s ghosts is largely murky, as they could simply be part of the man’s psychological condition. Moreover, Summers acknowledges that he has no proof that his patient is a murderer, and he even generates a few practical theories to explain Smith’s apparent ability to read minds. Despite the story’s shocking and occasionally gruesome deaths, the narrative often has a tongue-in-cheek tone, with nary an expletive in sight. It even teases the upcoming demises of characters, who typically have mere hours left to live. This rather blasé approach, however, makes it hard to sympathize with the victims: a couple murders are even stamped with the impish refrain, “Isn’t life strange?” In the same vein, the dialogue between Summers and his co-worker, psychiatrist Jonathan Stills, or his gynecologist pal, Sam Jackson, mixes expertise with puerility. Summers, for instance, tells Sam of a patient who was “flat-out bat-crap crazy” and hated nearly everyone: “I don’t mean hate like hate. I mean hate like real hate.” Still, Summers is a worthy protagonist whose plan stems from concern for others, and he draws on a recurring Bible verse, John 15:13, for inspiration. His scheme for stopping Smith unravels slowly, although he handles it meticulously. All the while, he admirably ensures others’ safety, persuading at least one person to get far away from him.
A sometimes-flippant tale of puzzling murders bolstered by an amiable, unlikely hero.Pub Date: July 12, 2017
ISBN: 978-1-5218-1531-1
Page Count: 310
Publisher: CreateSpace
Review Posted Online: Aug. 2, 2017
Review Program: Kirkus Indie
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by Mark Smith
by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by Kristin Hannah ‧ RELEASE DATE: Feb. 1, 2008
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
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