by Mark Strand ‧ RELEASE DATE: Feb. 16, 2000
Memorable, if sometimes inflated, prose on poems, poetry, and the poet by the Pulitzer Prize—winner. Semi-famous Strand made his mark with a string of eight poetry collections before Blizzard Of One (1998), a MacArthur Fellowship, a stint as Poet Laureate, and a teaching post at the University of Chicago. As a painterly poet like John Ashbery, Strand notes poetry’s immortal edge over the fleeting, fading, and inevitably historic quality of photography. Like Wallace Stevens (who, like Ashbery, is treated here), Strand addresses an old photo of his mother 58 years after it was taken and declares: “It is I, it is the future, experiencing a terrible ineradicable exclusion.” Strand does a detailed yet impassioned job of teaching poetry. Readers will learn to appreciate the craft, imagery, and mood of a poem by Archibald MacLeish that might seem inaccessible. Strand’s sensitive explication and his observation that “a poem is a place where the conditions of beyondness and withinness are made palpable” will make them forgive his obscure praise of the poem’s “sad crepuscular beauty.” Strand is equally comfortable analyzing familiar poems like Edwin Arlington Robinson’s —Richard Cory.— He identifies poetry as the enigmatic, questioning “enemy” in our information age whose torrential flow of data—just the facts, please—provides the illusion of certainty in an uncertain world. As an antidote to the deceptive verities of newspapers and e-mails, Strand offers poetic skill and personality, poetic modes like narrative, lyric, and translation, and poets from Virgil to Joseph Brodsky. Readers who survive Strand’s imaginative but self-important alphabetical list of his artistic influences and don’t mind learning from the self-conscious laureate that of all bodies of water he prefers lakes, “where one can kneel at the edge, look down and see oneself,” will be most entertained and enlightened by this weighty little book. A spring afternoon in the dead of February for fans of Strand and modern poetry.
Pub Date: Feb. 16, 2000
ISBN: 0-375-40911-4
Page Count: 160
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1999
Share your opinion of this book
More by Mark Strand
BOOK REVIEW
by Mark Strand
BOOK REVIEW
edited by Mark Strand & Eavan Boland
BOOK REVIEW
by Mark Strand
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
Share your opinion of this book
More by E.T.A. Hoffmann
BOOK REVIEW
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
BOOK REVIEW
by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
Share your opinion of this book
More by Ludwig Bemelmans
BOOK REVIEW
developed by Ludwig Bemelmans ; illustrated by Steven Salerno
BOOK REVIEW
by Ludwig Bemelmans ; illustrated by Steven Salerno
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.