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JACK AND THE BEANSTALK AND THE FRENCH FRIES

Fun.

Teague fractures the classic fairy tale, sending Jack on a culinary odyssey.

The tale begins as expected. Jack and his mother, both depicted as white, are poor; Jack goes to town to sell a cow; he returns with no money but a handful of magic beans. His mother throws the beans out the window, and the next day a gigantic beanstalk has grown. But here the story takes a new path. No longer will Jack and his mother starve, as the stalk bears a huge number of beans, and she cooks up baked beans, pickled beans, mashed beans, bean soup, and bean chowder. Jack soon tires of beans and dreams of burgers and french fries. When he climbs the beanstalk, he finds a like-minded giant (also white) who’s so tired of beans he wants to eat Jack instead. But the bean-hating duo heads down the stalk and plants a garden with a more diversified crop of vegetables, to the delight of the whole, not-particularly-diverse community. As in his The Three Little Pigs and the Somewhat Bad Wolf (2013), Teague defuses a conflict through the promise of good food. His full-bleed illustrations effectively emphasize the size of both giant and beanstalk, culminating in a humorous final page depicting the giant’s arm reaching down from off the page to give Jack’s plate of french fries a nice squirt of ketchup.

Fun. (Picture book. 3-8)

Pub Date: July 25, 2017

ISBN: 978-0-545-91431-4

Page Count: 40

Publisher: Scholastic

Review Posted Online: April 16, 2017

Kirkus Reviews Issue: May 1, 2017

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HOW TO CATCH A GINGERBREAD MAN

From the How To Catch… series

A brisk if bland offering for series fans, but cleverer metafictive romps abound.

The titular cookie runs off the page at a bookstore storytime, pursued by young listeners and literary characters.

Following on 13 previous How To Catch… escapades, Wallace supplies sometimes-tortured doggerel and Elkerton, a set of helter-skelter cartoon scenes. Here the insouciant narrator scampers through aisles, avoiding a series of elaborate snares set by the racially diverse young storytime audience with help from some classic figures: “Alice and her mad-hat friends, / as a gift for my unbirthday, / helped guide me through the walls of shelves— / now I’m bound to find my way.” The literary helpers don’t look like their conventional or Disney counterparts in the illustrations, but all are clearly identified by at least a broad hint or visual cue, like the unnamed “wizard” who swoops in on a broom to knock over a tower labeled “Frogwarts.” Along with playing a bit fast and loose with details (“Perhaps the boy with the magic beans / saved me with his cow…”) the author discards his original’s lip-smacking climax to have the errant snack circling back at last to his book for a comfier sort of happily-ever-after.

A brisk if bland offering for series fans, but cleverer metafictive romps abound. (Picture book. 6-8)

Pub Date: Aug. 3, 2021

ISBN: 978-1-7282-0935-7

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: July 26, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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KNIGHT OWL AND EARLY BIRD

From the Knight Owl series , Vol. 2

An immersive, charming read and convincing proof again that even small bodies can house stout hearts.

Can knightly deeds bring together a feathered odd couple who are on opposite daily schedules?

Having won over a dragon (and millions of fans) in the Caldecott Honor–winning Knight Owl (2022), the fierce yet impossibly cute nocturnal, armor-clad owlet faces a new challenge—sleep deprivation—in the wake of taking on Early Bird, a trainee who rises with the sun and chatters interminably: “I made pancakes! Do you like pancakes? I love pancakes! Where’s the syrup?” It’s enough to test the patience of even the knightliest of owls, and eventually Knight Owl explodes in anger. But although Early Bird is even smaller than her mentor, she turns out to be just as determined to achieve knighthood. After he tells her to leave, she acquits herself so nobly in a climactic encounter with a pack of wolves that she earns a place at the castle. Denise proves a dab hand at depicting genuinely slinky, scary wolves as well as slipping cheerfully anachronistic newspapers and other sight gags into his realistically wrought medieval settings to underscore the tale’s tongue-in-cheek tone. Better yet, a final view of the doughty duo sitting down together to a lavish pancake breakfast/dinner at dusk ends the episode in a sweet rush of syrup and bonhomie.

An immersive, charming read and convincing proof again that even small bodies can house stout hearts. (Picture book. 5-8)

Pub Date: Oct. 15, 2024

ISBN: 9780316564526

Page Count: 48

Publisher: Christy Ottaviano Books

Review Posted Online: Nov. 5, 2024

Kirkus Reviews Issue: Jan. 1, 2025

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