by Mark Winegardner ‧ RELEASE DATE: Feb. 1, 1996
In the age-old tradition of romancers who refuse to let facts stand in the way of a great story, first-novelist Winegardner (Prophet of the Sandlots, 1990) hits the outside corner with an evocative reprise of Mexican baseball's single season in the sun. It's 1946, and sportswriter Frank Hollinger is reporting on the five Pasquel brothers' attempt to create a major-league rival south of the border. And, with access to apparently unlimited amounts of dinero, los hermanos (under the direction of free- spending Jorge, the consort of Maria Felix) give El Norte a run for its money. The brothers, in this pre-Jackie Robinson era, use generous bonuses and megabuck contracts to lure stateside professionals (Danny Gardella, Max Lanier, Sal Maglie, Mickey Owen), who have few difficulties teaming up with stars from the Negro leagues and Latin America. The problems are with the gun- toting Pasquels, who load the roster of the club representing Veracruz (their hometown) with the best talent and otherwise put paid to any notion that Mexican baseball is to be organized. Despite the best efforts of sinister jefes to fix the season's outcome, the imported players give loyal fans in several hinterland cities an unexpectedly close pennant race and a consistently high caliber of competition, while the visiting mercenaries also get to witness such mythic moments as the home run hit by Babe Ruth in his last turn at bat. Off the field, the hired hands pine for absent sweethearts, engage in torrid love affairs with local lasses, and party with the hard-living likes of Diego Rivera and Frida Kahlo. The idyll ends abruptly as a change in the capital's political climate leaves the Pasquels out in the cold. Years later, those who were involved have mostly fond memories of their sojourns, which they share in interviews with Hollinger, the older, wiser (somewhat), and forthrightly nostalgic narrator. An absorbing, episodic account of a brief fiesta that still lights up the summer game's storied past.
Pub Date: Feb. 1, 1996
ISBN: 0-670-86636-9
Page Count: 272
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1995
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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