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THE STATESMAN AND THE STORYTELLER

JOHN HAY, MARK TWAIN, AND THE RISE OF AMERICAN IMPERIALISM

A brisk and entertaining historical narrative.

American politics revealed through the lives of two indelible figures.

Documentary film producer and writer Zwonitzer (co-author: Will You Miss Me When I’m Gone?: The Carter Family and Their Legacy in American Music, 2002) plies his considerable talent at storytelling in this vivid dual biography of statesman John Hay (1838-1905) and 19th-century America’s most famous writer, Mark Twain (1835-1910). The author’s choice of these two men seems somewhat arbitrary: although both grew up in “remote and brutish Mississippi River towns,” their relationship “was not one of great intimacy and was even a tad distant.” After they met in the 1860s, they rarely saw one another. Temperamentally, Zwonitzer notes, they were “very different sorts of men.” Hay was refined and diplomatic and had married into significant wealth. Twain, volatile and impetuous, was dogged by debt. They differed politically, too: Hay, who had been Lincoln’s secretary, was “a Republican in the original party sense: a defender of government by educated and accomplished white men”; Twain “was a small-d-democrat and skeptical that anybody in power would long remain interested in the common good.” From 1895 to 1905, Hay was involved most directly in the country’s transformation as ambassador to England and secretary of state under William McKinley and, after McKinley’s assassination, Theodore Roosevelt. In 1898, America engaged in war with Spain over Cuba; Spain capitulated after a few weeks, ceding the Philippines to the U.S. The annexation of Hawaii soon followed. Hay’s negotiations with British and European leaders put him in the center of world affairs. But “Hay needed no office in order to wield influence,” his friend Henry Adams commented. “For him, influence lay about the streets, waiting for him to stoop to it.” Because Twain’s waning years are well-known—tireless efforts to earn money, sadness over the deaths of two daughters and his wife—Hay emerges as the fresher figure in Zwonitzer’s pages.

A brisk and entertaining historical narrative.

Pub Date: April 26, 2016

ISBN: 978-1-56512-989-4

Page Count: 608

Publisher: Algonquin

Review Posted Online: Jan. 1, 2016

Kirkus Reviews Issue: Jan. 15, 2016

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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