A (mostly) heartwarming follow-up visit.
In this wordless picture book, Frazee’s lonely farmer hosts another visitor from the train on the horizon.
The elderly White gent first met in The Farmer and the Clown (2014) walks home from a picnic, looking rather down, unaware he is being followed by a small monkey in a red fez and yellow frill around its neck. As he settles into his empty house, he notices the smiling monkey at the window. He lets the monkey in the front door, but after a dizzying spread depicting the monkey running amok, the farmer sends the monkey out. The frowning monkey spends the night outside as snow begins to fall. The farmer awakes to deep snow and immediately goes out to rescue the monkey. After a warm fire, soup, a story, and falling asleep on the farmer’s shoulder, the monkey spends two nights at the farmer’s house; on the day in between, the farmer and his animals tolerate the monkey’s loud, wild ways. Finally, like the clown in the book before him, the monkey hears the circus train coming and goes on its way, smiles all around. Frazee’s soft colors, careful lines, and masterful compositions work their magic once again to evoke mood and feeling in a way that children can immediately grasp. The experience hits adult readers just as powerfully, though readers who decry picture-book depictions of monkeys for reinforcing negative stereotypes of Black people will find no mitigation in the monkey’s antics. (This book was reviewed digitally with 8.3-by-20.6-inch double-page spreads viewed at 54.1% of actual size.)
A (mostly) heartwarming follow-up visit. (Picture book. 5-9)Pub Date: Sept. 22, 2020
ISBN: 978-1-5344-4619-9
Page Count: 32
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: June 29, 2020
Kirkus Reviews Issue: July 15, 2020
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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