This lyrical blessing of a picture book belongs on every shelf.
“And in every life, / blessed is the love.”
Frazee’s author’s note explains that she was inspired to write this text when she “heard a call-and-response version of a Jewish baby-naming blessing and immediately felt its potential as a picture book.” After several false starts, she began working on it in 2020, “when so many things about our world were upended,” and the following year, her first grandchild was born. In its inclusive, warmhearted celebration of community, family, and life itself, the resulting book feels like a melding of earlier titles Frazee illustrated: Everywhere Babies (2001) by Susan Meyers and All the World (2009) by Liz Garton Scanlon. While the realistic art style is akin to that of those books, the text is sparer, with pacing grounded in the call-and-response inspiration: “In every birth,” reads the opening verso, with the resolution on the facing page reading, “blessed is the wonder.” Accompanying vignettes of babies cared for by young and old people alike invite readers to speculate about relationships and to delight in the loving, diverse depictions. Then the page turn reveals a full-bleed vista of a couple with a baby looking at the sunrise, pink clouds filling the sky. Once established, this pattern—of a call-and-response spread illustrated with vignettes followed by a wordless full-bleed spread of a single family in nature—carries through the entire book, providing opportunities for observation, conversation, and reflection. (This book was reviewed digitally.)
This lyrical blessing of a picture book belongs on every shelf. (Picture book. 3-6)Pub Date: Feb. 7, 2023
ISBN: 978-1-66591-248-8
Page Count: 32
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: Oct. 25, 2022
Kirkus Reviews Issue: Nov. 15, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
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