An entertaining, discerning take on the connections between the Old and New West.
A mixed martial arts fighter draws on the spirit of his mountain-man ancestor during a precarious Western journey in this debut novel.
Brendan “Bear” Glass is an MMA combatant whose raw power has won him some fame. In his latest match, he is beaten to a pulp by his opponent and ends up in a bloody pile on the floor. He is astonished to learn that his manager had given him rat poison in order to make the bout gorier. Badly injured, he won’t fight again, so he connects with his nephew, Branch. Brendan plans to build an enormous marijuana-growing facility under the guise of a luxury gym and resort in Montucky—backwoods Montana. The goal will be to transport the weed from California to the new site without getting stopped by the police. Two hundred years earlier, Hugh Glass, Brendan’s ancestor, an old mountain man, takes the same journey, though for Hugh it is just after the Lewis and Clark expedition. Hugh is a former sailor, plunderer, and survivor of a notable bear attack. He’s killing time as a fur trapper, waiting six years before he and his partner go back to retrieve some treasure they hid after stealing it from a French pirate. In the present day, Brendan is gripped by a sudden pain and detours to an abandoned sweat lodge, the same one that Hugh recovered in after the bear attack. There, Brendan makes a mystical connection to his ancestor that may help him with his uncertain future. Gaddis’ novel unleashes a flurry of Western sights and sounds that stretch from St. Louis to Mendocino, California, in two wildly different centuries. The old times, inside Mandan Indian villages and Colonial forts, are described in forthright, heedful language, while the contemporary story holds on to similar circumspection (“Now it’s an arid collection of collapsed lean-tos, yurts, willow benders and dilapidated canned ham trailers amid weed-ridden garden plots with fallen fences”). Amid the book’s brisk plot, the exploration of the roots of Western families is impressive, depicting the players as cunning self-starters in a diverse world of opportunity and peril. While Brendan’s dreams of a hydroponics empire aren’t quite as alluring as the tale of Hugh and the bear, they are similarly scrupulous and analogous in spirit.
An entertaining, discerning take on the connections between the Old and New West.Pub Date: Oct. 17, 2017
ISBN: 978-0-9981646-1-8
Page Count: 224
Publisher: Shitaree Publishing
Review Posted Online: Oct. 16, 2017
Kirkus Reviews Issue: Dec. 1, 2017
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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