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GIRL BRAIDING HER HAIR

A pair of resilient heroes memorably explores creativity across the ages in this vibrant tale.

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Two women’s artistic ambitions converge across continents and centuries in this novel.

In present-day Philadelphia, Ellie Waldon has not been able to pull herself out of a slump after her husband’s death from cancer. The discovery that her boss has been passing off her work as his own is the last straw, and she quits her job. But before she storms out, her work as a brand manager introduces her to the oeuvre of pioneering 19th-century artist Suzanne Valadon. The narrative then pivots to Suzanne’s tumultuous life in Paris. Raised by an alcoholic single mother, Suzanne is expelled from convent school at 11 years old and hurtles between various jobs, always dreaming of becoming an artist. Molnar’s book proceeds to alternate between Ellie’s and Suzanne’s storylines. Ellie learns that most museums display only 2% to 4% of their art at a given time. With Suzanne as her inspiration, Ellie decides to found the Museum of Unseen Art to “display art that nobody sees because it’s stashed away in basements in musty drawers.” Ellie’s efforts to change her life are challenged by her older sister’s skepticism and the specter of the home she lived in with her husband, which she was forced to sell. In Paris, Suzanne eventually becomes an artist’s model, which gives her the opportunity to study painters and sculptors at work. She begins to understand “form, the way it’s born of light,” and uses her earnings to buy art supplies. Readers follow Suzanne’s encounters with famous artists of the time, including Toulouse-Lautrec, Renoir, and Degas, as she grasps at financial stability, creative satisfaction, and respectability. Fans of Maggie Shipstead’s Great Circle (2021) will find much to enjoy in this meticulously researched novel’s braided narratives. Suzanne’s storyline is particularly enthralling, with its glamorous locations and references to historical figures and events. Ellie’s story suffers slightly by comparison, not only because Philadelphia is no Paris, but because Ellie’s plot is somewhat overstuffed with dialogue, unnecessary plot twists, and too many characters. Although Molnar has a gift for quick character studies (at one point, she describes Ellie’s unctuous former boss as looking “like a meerkat on guard duty”), the book’s modern-day sections would have benefited from a slower pace and deeper character development.

A pair of resilient heroes memorably explores creativity across the ages in this vibrant tale.

Pub Date: Dec. 11, 2023

ISBN: 9781940627656

Page Count: 402

Publisher: N/A

Review Posted Online: April 11, 2024

Kirkus Reviews Issue: June 15, 2024

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INTERMEZZO

Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.

Two brothers—one a lawyer, one a chess prodigy—work through the death of their father, their complicated romantic lives, and their even more tangled relationship with each other.

Ten years separate the Koubek brothers. In his early 30s, Peter has turned his past as a university debating champ into a career as a progressive lawyer in Dublin. Ivan is just out of college, struggling to make ends meet through freelance data analysis and reckoning with his recent free fall in the world chess rankings. When their father dies of cancer, the cracks in the brothers’ relationship widen. “Complete oddball” Ivan falls in love with an older woman, an arts center employee, which freaks Peter out. Peter juggles two women at once: free-spirited college student Naomi and his ex-girlfriend Sylvia, whose life has changed drastically since a car accident left her in chronic pain. Emotional chaos abounds. Rooney has struck a satisfying blend of the things she’s best at—sensitively rendered characters, intimacies, consideration of social and philosophical issues—with newer moves. Having the book’s protagonists navigating a familial rather than romantic relationship seems a natural next step for Rooney, with her astutely empathic perception, and the sections from Peter’s point of view show Rooney pushing her style into new territory with clipped, fragmented, almost impressionistic sentences. (Peter on Sylvia: “Must wonder what he’s really here for: repentance, maybe. Bless me for I have. Not like that, he wants to tell her. Why then. Terror of solitude.”) The risk: Peter comes across as a slightly blurry character, even to himself—he’s no match for the indelible Ivan—so readers may find these sections less propulsive at best or over-stylized at worst. Overall, though, the pages still fly; the characters remain reach-out-and-touch-them real.

Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.

Pub Date: Sept. 24, 2024

ISBN: 9780374602635

Page Count: 464

Publisher: Farrar, Straus and Giroux

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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