A pair of resilient heroes memorably explores creativity across the ages in this vibrant tale.
Two women’s artistic ambitions converge across continents and centuries in this novel.
In present-day Philadelphia, Ellie Waldon has not been able to pull herself out of a slump after her husband’s death from cancer. The discovery that her boss has been passing off her work as his own is the last straw, and she quits her job. But before she storms out, her work as a brand manager introduces her to the oeuvre of pioneering 19th-century artist Suzanne Valadon. The narrative then pivots to Suzanne’s tumultuous life in Paris. Raised by an alcoholic single mother, Suzanne is expelled from convent school at 11 years old and hurtles between various jobs, always dreaming of becoming an artist. Molnar’s book proceeds to alternate between Ellie’s and Suzanne’s storylines. Ellie learns that most museums display only 2% to 4% of their art at a given time. With Suzanne as her inspiration, Ellie decides to found the Museum of Unseen Art to “display art that nobody sees because it’s stashed away in basements in musty drawers.” Ellie’s efforts to change her life are challenged by her older sister’s skepticism and the specter of the home she lived in with her husband, which she was forced to sell. In Paris, Suzanne eventually becomes an artist’s model, which gives her the opportunity to study painters and sculptors at work. She begins to understand “form, the way it’s born of light,” and uses her earnings to buy art supplies. Readers follow Suzanne’s encounters with famous artists of the time, including Toulouse-Lautrec, Renoir, and Degas, as she grasps at financial stability, creative satisfaction, and respectability. Fans of Maggie Shipstead’s Great Circle (2021) will find much to enjoy in this meticulously researched novel’s braided narratives. Suzanne’s storyline is particularly enthralling, with its glamorous locations and references to historical figures and events. Ellie’s story suffers slightly by comparison, not only because Philadelphia is no Paris, but because Ellie’s plot is somewhat overstuffed with dialogue, unnecessary plot twists, and too many characters. Although Molnar has a gift for quick character studies (at one point, she describes Ellie’s unctuous former boss as looking “like a meerkat on guard duty”), the book’s modern-day sections would have benefited from a slower pace and deeper character development.
A pair of resilient heroes memorably explores creativity across the ages in this vibrant tale.Pub Date: Dec. 11, 2023
ISBN: 9781940627656
Page Count: 402
Publisher: N/A
Review Posted Online: April 11, 2024
Kirkus Reviews Issue: June 15, 2024
Review Program: Kirkus Indie
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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