by Martha C. Nussbaum ‧ RELEASE DATE: Feb. 1, 2008
A timely topic and a fine example of scholarly yet accessible writing.
Well-considered, challenging analysis of America’s commitment to religious liberty.
Nussbaum (Law, Divinity, Philosophy/Univ. of Chicago; The Clash Within: Democracy, Religious Violence, and India’s Future, 2007, etc.) finds that this distinctly American tradition, embodied in the First Amendment, is based on six principles: equality, respect for conscience, liberty, accommodation of minorities, nonestablishment and separation of church and state. She examines how it arose in the 17th and 18th centuries, as well as the severe challenges it faced in the 19th with an influx of Roman Catholic immigrants and the appearance of new religious groups such as Mormons and Jehovah’s Witnesses. There is an ongoing need for refinement of constitutional principles, Nussbaum argues, given the increasing religious diversity in the United States. Not only are the numbers of Muslims, Buddhists and other non-Christian groups increasing, but so are those who profess to no religious belief. Citing specific cases, the author looks deeply into the difficult question of what measures are appropriate in order to accommodate religious observances that conflict with civil laws. She considers such issues as same-sex marriage, polygamy, prayers in public schools (and the related question of whether school children can be compelled to recite the Pledge of Allegiance), the use of public funds to support sectarian schools, public display of religious symbols and the teaching of evolution. Her discussion of how the Supreme Court has approached these various questions in different eras reminds readers of some distressing episodes in our history. Americans, she warns, must be alert to the current threats to our tradition of religious liberty and vigilant to resist them. In conclusion, Nussbaum argues persuasively that this American tradition has much to offer the nations of Europe, many of which still have established churches, value homogeneity and tend to consider divergence from the majority view as subversive.
A timely topic and a fine example of scholarly yet accessible writing.Pub Date: Feb. 1, 2008
ISBN: 978-0-465-05164-9
Page Count: 320
Publisher: Basic Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2007
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Maya Angelou ‧ RELEASE DATE: Feb. 1, 1969
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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by Maya Angelou and illustrated by Steve Johnson and Lou Fancher
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