Yet another coming-of-age debut novel, this one dragging on a bit as it evokes the '60s-style wanderings of a divorced housewife and her three unhappy daughters. Until 1969, eight-year-old Kate lived in perfect contentment in a white house in rural New Jersey with her two older sisters, her geologist father, and her beautiful blond mother, a housewife named Eve. Unfortunately, that was the year that Dad elected to run off with his lover, and Eve, after a depression that kept her in bed for months, fell in love with an itinerant Gestalt therapist named Anton and allowed him to uproot their lives. Yearning to experience life truly in a way her anal-retentive husband never had, Eve follows Anton to the Esalen center in California. The couple gather up Eve's three well-brought-up daughters, put them in a camper with Anton's five hippie kids, and take off for a tour of the American West. The new, extended family wanders aimlessly through deserts and semi-abandoned towns, sneaking into unoccupied motel rooms for showers, dropping in on Indian settlements and millionaires' resorts, and absorbing various hitchhikers into their fold, while the children bicker and the adults preach free love along the way. Meanwhile, Kate tries to accustom herself to the loss of her father and happy former life, working hard (but often failing) to see the good in Anton's motherless children and to forgive her own newly liberated mom. Eve's reckless devotion to Anton has its consequences—one daughter becomes deathly ill, another runs away, and Kate herself becomes a religious fanatic for a while—and yet Eve's decision to return home at last seems motivated more by fatigue than by lessons learned, and it's unclear who, if anyone, has really come of age. McPhee's story holds interest, but much like its protagonists, it tends to wander without direction, in the end failing to provide much of a catharsis.
Pub Date: May 1, 1997
ISBN: 0-679-45008-4
Page Count: 288
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1997
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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