Somber, intelligent, poignant and powerful.
The First World War slowly claims one of its last victims, a conscientious objector left mute by the horrors of the great slaughter.
Booker-finalist Booth (Industry of Souls, 1999, etc.) cuts back and forth between 1914 Scotland, where young archaeologist Alec Marquand researches a prehistoric site, and a nursing home in present-day England, where his life is slipping away. Too, there are scenes from the battlefield, where the taste of war is bitter enough to make Marquand withdraw from the rest of his life—which could and should have been so good. Smart and deeply sensual, Marquand chose a career whose first job took him to a Neolithic stone tower on coastal land owned by a Scottish laird. Living in a primitive fishing village among superstitious locals, Marquand catches a glimpse of light on a nearby and supposedly uninhabited island. Close examination leads to another stone tower and a glimpse of a young girl. The girl comes and goes with supernatural ease, but she’s real, the bastard child of an earlier laird who placed her in the care of deaf mutes to see whether she would mature to speak the language of angels. Warned by his well-lettered landlord that the villagers fear the off-islanders as malevolent spirits, Marquand revisits the site and is delighted to find himself more or less stalked by the girl when she swims across the separating channel to visit him at his dig. The quick warmth that sparks lights between the speechless girl and the lonely young man becomes his only comfort and eventual grasp on sanity when he’s yanked from his work by the long reach of his odious stepfather, a retired colonel, and thrust, as a medic, into the monstrous meat grinder of the Great War. His subsequent complete and voluntary withdrawal from human intercourse ends only in the last days of his life, when he allows a young doctor to approach.
Somber, intelligent, poignant and powerful.Pub Date: Jan. 1, 2003
ISBN: 0-312-26804-1
Page Count: 304
Publisher: Dunne/St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2002
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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